It’s been hot. I’ve been bored. The blog post I’ve been planning just isn’t coming together. Like a kid getting sidetracked from a deadline on a school project, I find I’m easily distracted. And so this is what I’ve been up to.
These are perfect conditions for me to start puttering in the kitchen. (Cooking requires you to focus on the task in front of you and take a mental break from everything else.) I had seen a recipe for Fresh Summer Tomato Sauce on Jenny Steffens Hobick’s blog, Everyday Occasions . (Her recipes are delicious and she’s generous about sharing tips for success.) I was intrigued by this recipe, because it has only four ingredients! Check it out here; I don’t want to spoil the fun.
This sauce was delicious, easy, and so fresh!! I served it with penne, some meatballs from the freezer, and beans from Steve’s garden. Next, I want to try it with homemade meatballs and polenta, a fairly hearty appetizer we sometimes share at a local restaurant. I’ve been thinking that a slightly larger serving of meatballs and a vegetable on the side could turn that appetizer into an entree.
Have you ever made DIY silver polish with a quart of boiling water, a tablespoon of baking soda and a foil-lined bowl? This is a recipe I saw on the web a few years ago. I tried it out with a bunch of silver-plate flatware I had forgotten about in the basement. I dropped a few pieces at a time into the hot water bath, and the results were amazing. Although I still use the traditional paste polish when I have the time, this has been my secret go-to when I need to clean a few pieces in a hurry.
It is especially effective with this woven silver basket. (Yes, I also polished some silver.) This was a wedding gift from a special friend in my earliest basket-collecting career. It’s a challenge to clean, so briefly dipping it in this bath has been a lifesaver. My basket used to make appearances on only the most special occasions; now it hangs out on the coffee table or a side table all the time!
Connecting the dots between books
I think I already shared with you that recently one of my reading groups discussed Katherine Graham’s autobiography, Personal History. We had all loved “The Post” with Meryl Streep and Tom Hanks and wanted to learn more about Kay Graham. We came away impressed with what Graham accomplished, especially with regard to the Pentagon Papers and Watergate. Her father owned the Washington Post and turned it over to her husband, Philip Graham. Kay took over when Phil died unexpectedly. She make it profitable for the first time, stuck to the Post’s editorial principles and drove two of the most significant stories in the 1960’s and 70’s, making it one of the most powerful and respected papers in the country.
Hold that thought.
Next we read The Great Gatsby, F. Scott Fitzgerald’s post WWI novel that captures the essence of an era and a class of people. Jay Gatsby and Tom and Daisy Buchanan were all about money — new money and old money. But they were incredibly careless people, and not just careless with things or money. They were careless with the truth and with people’s lives. Fitzgerald’s prose is magical but these are not likable characters.
Taken together these two books share so much about power and money done right and done wrong. What an interesting dilemma for the times in which we live.
It’s finally a little cooler here. I hope it is where you are, too. Thanks for stopping by. See you next time?
If you follow me on Instagram. you already know how excited I was when my copy of The Cook’s Atelier Cookbook arrived. The Cook’s Atelier is the cooking school I attended last spring in Beaune, France. I wrote about the one-day workshop, here, meeting Marjorie, her daughter Kendall and the rest of the class to shop the local market for ingredients, returning to their 15th Century atelier, and preparing and sharing a remarkable French lunch.
Like that day, this cookbook is much more than recipes. It’s a thoughtful treatise on French culture, particularly in the Burgundy wine country. Ex-pat authors and cooks Marjorie Taylor and Kendall Smith Franchini share their love and appreciation of all things French and the challenges of defining a business based on their passions for cooking and wine and then launching that business in their newly adopted country.
First, this is a lovely book, beautifully printed on heavy paper. (So French, I’m sure.) The photos are stunning, and document every aspect of their life, from the delicious food, to the countryside, the Beaune market, the local vendors they have come to appreciate and depend on, the elegant simplicity of their shop, kitchen and dining room, and, of course, the family at the center of it all. (If you have been to their shop, then you know the integral role played by Kendall’s husband Laurent and how sweetly their two young children occasionally appear in the shop or kitchen).
Lots of cooks, restaurants and foodies publish cookbooks. There seem to be at least one or two new ones each week. But few spend time on technique and ingredients (well, maybe the likes of Alice Waters and Julia Child). The Cook’s Atelier Cookbook stands far above these latest publications. Charming sections tackle the French larder, cooking tools, burgundy wine, the French cheese course, and traditional cooking techniques like frenching and tying a rib roast and trussing poultry. Recipes are grouped by season and compiled into menus, something I especially appreciate since I am notoriously uncertain about what really goes with what. In short, this is a cookbook you can truly learn from in addition to finding great recipes.
So, you may ask, what have I made? I’ve been making the French butter cake since I took the class. It’s simple and delicious, two prerequisites for French cooking. I’ve also prepared the grilled veal we made in class (and practiced the sauce technique with a few other cuts of meat). Now I’m working on the green garlic souffle. (Mine tasted delicious, but the presentation needs work. See below!)
I have added pastry tips and disposable bags to my kitchen equipment and tested them last week on gougers and madeleines. Next up? Coq au Vin. Marjorie and Kendall use white burgundy instead of red, and I can’t wait to try that.
What have I learned? Quite a lot. Fresh — which means seasonal — ingredients make a difference. Ask the butcher for help. Make sure you understand the recipe before starting. Gather all tools, prepare pans, and measure ingredients before cooking. Have fun. The story in my kitchen and yours is the same as the story in theirs — it’s about the family and friends around the table.
I couldn’t resist showing you a few more pages from the book. The photos are really beautiful. The first is their teaching kitchen and a corner of their shop where they sell their own lovely line of copper pots, along with kitchen tools and a carefully curated selection of wine. Below that is another shot of the book.
As I was writing this post I went back to the original from last June after my class there. In it I said I was smitten. Yikes! I am all over again. To learn more about The Cook’s Atelier, you can visit the website at www.thecooksatelier.com. The cookbook is available wherever books are sold, including Amazon.
Thank you so much for stopping by. I’ll see you again next time.
One of the blogs I follow is Mocadeaux, another empty-nester who loves food, wine, travel and grandchildren (pretty much a kindred soul, I’d say). She recently wrote a post on her “Everyday 20,” which listed 20 things she buys and uses every day. The idea comes from an American Express ad encouraging card holders to use their Amex card for these everyday things. We traded comments on that particular post and although it turns out that neither one of us uses that credit card, she encouraged me to try the same topic.
Alas, Mo, I only came up with 10 right now, though there will be a part 2 in the near future. Some of these are one-time or occasional purchases, but they are things I appreciate every day. In the meantime I’m hoping everyone will read on to learn — in no particular order — my “Everyday 10.”
1. My iPad. Like Mo, I am an Apple fan. And though I’d be lost without my iPhone and I love my Mac, what I pick up most often is my iPad. I use it to read and write emails, for Instagram, to view photos, read the news. I even download books to it. It’s all about the bigger screen.
2. Instagram. I came late to the party on this, after my daughter encouraged me to try it. But honestly, I just love it. It’s like a new design magazine every time I scroll down. Who do I follow? Other bloggers, foodies, designers, some magazines, travelers, my daughter (she’s a great photographer). I do not follow celebrities, politics, fashion, music, or movies. I do not follow FaceBook friends. IG is simply my daily dose of the pretty that interests me most. (You can follow me here.)
3 & 4. Rimmed baking sheets and pre-cut parchment papers to fit. I use these daily, sometimes more than one for a meal, for roasted vegetables, meat and poultry browned on the stove and finished in the oven, appetizers, cookies, and more. Although I snapped a photo of them here as my husband was preparing meatballs, I also use a half-size pan that’s perfect for roasting vegetables, etc., for just the two of us.
5. While we’re in the kitchen, the vertical storage in this cabinet. I keep baking sheets, frequently used trays, cutting boards, cooling racks, and a few shallow pans in this cabinet above my oven and microwave. This is one of the custom touches I insisted on when we remodeled our kitchen and I’m so glad I did. I can see and reach everything here. (High cabinets and shelves are lost on short people like me.) In fact I wish now there was space for more of this storage in the kitchen.
6. Grocery store flowers. I am happiest when I can snip flowers or greenery from my own yard and garden, but the growing season in Chicago is so short and the winter is soooo looong. Frankly the blooms and greenery in the store see me coming and call my name. If you choose well, for $10 you can bring home an armful of sunshine.
7. This paint color. Designers describe Sherwin Williams Popular Gray as a “warm gray,” which I thought of as an oxymoron until I tried it on a wall. I love it! Last year I used it in the upstairs/downstairs hall, the powder room and guest bath. Ditto this year in the spare bedrooms and my husband’s office. It’s a soft, neutral background that works well with assorted furniture finishes, artwork and accessories. In the past our rooms have sported a variety of paint colors (not to mention my wallpaper period) and I’m loving the uniform background. And, see #8 below.
8. White woodwork. The Popular Gray walls are awesome against the Benjamin Moore Simply White woodwork and doors. When this painting mission began, we decided to paint our dark, stained woodwork. And, yes, it’s a lot of work: sanding, priming, then painting two coats. (Full disclosure: pros did a lot of it.) But, what a difference! It totally transformed the house, taking it from subdivision 70’s to now. Paint really is a miracle worker.
9. My sewing machine. Like a lot of women my age, I started sewing in my early teens, cranking out A-line skirts and dresses. As time went on I began to sew more sophisticated garments. I like doing things with my hands, and, of course, I like clothes. Fast forward to my first apartment and then our first houses. I made curtains, so many curtains for about a decade, but sewing with active children underfoot was challenging. I finally pretty much gave it up. I made a few Halloween costumes and even sewed for my daughter’s American Girl doll, but I was rusty and not always pleased with the results. Fast forward once more to my retired self. Not only do I have time to sew, but I can take my time with a sewing project. And, I really wanted lined, white linen curtains in the living room. Not gauzy; something substantial that would hang in graceful folds. So, off to the fabric-lover/decorator’s nirvana otherwise known as Calico Corners and fifteen yards of fabric and lining plus a few afternoons at the machine and I have exactly the look I had in mind. My machine and I will be spending more time together.
10. My new soup/pasta/salad bowls from Williams Sonoma. I’m a bit of a dish junkie, not just in terms of transferware and ironstone collections, but also about what I put on the table daily. I’ve had a set of pasta bowls for years, but they were really big (and encouraging really big servings!). I wanted something that would be more multi-purpose, serving pasta, but also hearty soups, chili, even one-dish dinners like beef bourguignon. These stylish and sturdy white bowls from Williams Sonoma are perfect for all the uses I noted here, as well as an entree-sized salad. Win, win, win!
What’s your everyday 10 or 20 these days? I’d love to hear!
Last month we took a terrific, three-week trip to Italy. And, yes, this was somewhat self-indulgent since we had been here just fifteen months before, but the stars lined up and the opportunity was there, so we went.
Our first trip was pretty straightforward: Rome, Florence and Pisa. (You can read my posts about it here and here.) This time our itinerary included Sorrento and the Amalfi Coast, Tuscany, a four-night respite in Florence, a train to Lucca for a few days and, finally, another train to Rome before flying home. Our plan was to see a number of new sites and revisit Florence and Rome since they have so much to offer. Was this a lot to cover in three weeks? Probably.
It’s also too much for a single blog post.
I have been trying all week to write about it, but it just sounds like one of those long, boring slide shows your neighbor used to present about their 1964 trip to the Grand Canyon. I cannot do that to you. But I do want to share some fun bits and pieces, in separate posts. Consider this the first installment!
The heart of our trip was a stay in a rural B&B in Tuscany to explore the nearby hilltowns by car. Most Tuscan destinations are built on steep hilltops, the better to protect them from invading forces centuries ago. Part of the charm today is that they remain secluded, off the Autostrada, reachable by winding two-lane roads and/or a funicular. Tourist traffic is not allowed (and frankly, driving their tiny, twisting roads would be more than a little hazardous).
In Tuscany, we stayed at Borgo Argenina, a tiny hamlet of stone farm buildings dating to 998 and restored twenty years ago by owner/host Elena Nappa as a B&B. This was really an amazing destination itself, a little quirky, decidedly friendly, and a remarkable change from tourist-clogged sites.
Directions to Borgo Argenina instruct travelers to turn off the paved road onto the gravel one. Calling this gravel stretch a road requires a leap of faith. It’s a single lane, rutted and rocky, that passes first through some trees and brush and then vineyards. Eventually, the road dips down, then climbs up to the cluster of stone buildings that is Borgo Argenina.
The vistas are stunning (Elena knew what she was doing when she found it) and her hospitality is all you could ask for. Her welcome includes a history of the property, an introduction to the area, and an invitation to join a cooking class tomorrow night. Since we are checking in at the same time as a mother and adult son (from Pennsylvania and California, respectively) and just after a couple from Connecticut, Elena has made reservations for the six of us to eat that night in town at Locanda Del Tartufaio, known locally as Giorgio’s. Elena assures us it is easy to find since it will be the only place in town with lights on at that hour.
And so our adventure begins.
Steve and I settled into a two-room suite on the second floor of the original stable. The rooms feature massive ceiling beams, stone walls and 15th Century hardware on the doors. The plumbing is modern and the bed is comfortable.
Giorgio’s is everything Elena promised. Giorgio is owner and chef. He is also a truffle hunter and his menu will feature those delicacies (a bit of a challenge for a few members of the group who are not truffle enthusiasts). We are the first to arrive and, briefly, the only restaurant guests. It’s a little weird since Giorgio speaks no English, though he does have a server who, though far from fluent, is able to communicate with us. Soon, our fellow travelers arrive, as well as other diners. (All the tables will be full before the evening is over.)
Georgio only serves one menu per night, so there was no need to ponder choices. We just applauded them as they arrived: a selection of bruschetta and cheeses, many of them topped with delicately chopped truffles, a primo course of white lasagna made with homemade pasta and topped with truffles, a secondi of roast beef and roast pork topped by chopped truffles and herbs and served with fresh, roasted vegetables. We finished with a delicate cake topped by whipped cream and fresh fruit. (No truffles!) All of this was accompanied by a seemingly endless supply of wine and conversation. Three-plus hours passed in a flash!
The next day Steve & I drove to Assisi, one of the destinations on our Tuscany list. It was farther away than we realized, but a fairly direct route on the Autostrada.
First, Assisi struck me as pristine. Other Tuscan towns had similar hilltop locations and were essentially all stone, but none of them were as bright and white in Frances Mayes’ famous Tuscan sun. Assisi is not only the birthplace of St. Francis; it is also the birthplace of St. Clare, founder of the Poor Sisters, later the Order of Poor Clares. Despite the crush of tourists we experienced elsewhere, Assisi was surprisingly quiet. I don’t know if we should attribute that to visiting on Sunday or if it is simply the temper of the town.
The cathedral is stunningly simple, inside and out, honoring the beliefs of St. Francis. Unfortunately, no photos are allowed inside. Although I would have been happy to wander the lanes of Assisi for a few more hours, we really had to head back to the B&B for our cooking lesson with Elena and the rest of her guests.
Elena began her class by walking all eleven of her “students” out to her garden to harvest some herbs, taste some grapes and talk a little more about creating the garden out of the rubble that was there when she acquired the property. Once we were back in her kitchen, she set us to work, washing and trimming basil for pesto, stringing beans, and browning chicken. The real treat of course was learning to make fresh pasta, mixing flour and eggs by hand on her wooden pasta board, then kneading the dough before letting it rest under a damp towel.
As we cooked we shared our travels, drank wine, and took turns with the actual pasta-making. Here’s the finished meal, below, just before serving it around the massive farm table in Elena’s kitchen. It was as fun and festive as Giorgio’s, perhaps more so since there were more of us.
During our 2016 trip to Florence we took a day-trip that included a drive through the Clay Hills, a tour of the Abbazia de Monte Oliveto Maggiore and lunch and wine-tasting in Tuscany. It was a perfect blend of history and culture. So we contacted Roberto Becchi of Tours by Roberto again. (Roberto is a guide recommended by Rick Steves; you may have seen him on one of Rick’s shows on Italy.) Roberto is passionate about history, Italian winemaking, and Siena’s superiority over Florence. (We also found Borgo Argenina via Roberto’s website.) He is fun, knows the best winemakers and the tiniest towns. His tours are limited to eight travelers. A day with Roberto is a personal tutorial rather than a tour.
We started out in Montepulciano, with a short walk thru some of the town’s oldest streets. Although the earliest settlement here dates to Etruscan times, the town was essentially Medieval, then given a Renaissance facelift as evidenced by the more elegant facades added to the medieval structures. (Renovation is hardly a new concept!) Montepulciano was both an ally and a possession of Florence. (Before we checked into Borgo Argenina, we spent one night just outside Montepulciano. We had a delicious dinner at Restaurante Al Quattro Venti on the same square, right.)
Montepulciano is home to the famous Nobile wines, made by individual vintners according to the parameters established by a consortium. While we were in town we visited the centuries-old caves (and tasted the wines) of the De’Ricci winery. The six-story building, whose oldest caves date to the Etruscans, is supported by a huge network of vaults and arches. This construction and the size of the barrels were all astonishing. Roberto pointed out this is Renaissance construction on top of Medieval buildngs.
Next we traveled to the Tornesi winery in Montalcino. Tornesi has been in the same family since 1865. In 1967 Gino Tornesi registered his vines as Brunello, becoming one of the first members of that consortium as a producer. His son Maurizio started the production and business side in 1993 with his first Rosso di Montalcino and his first Brunello di Montalcino. Maurizio showed us around, his daughter led the tasting and we met his mother! This is truly a family business, and I was struck once again by the hard work and commitment to a quality product that the best wineries embody. Wineries are so much fun for us to visit, but some much work and commitment for the growers and winemakers.
Tuscany takes time. It’s easy to start with a list of hilltowns, plot them on a map, and start driving. But if you rush thru the towns too fast, you run the risk of missing the essence of the Tuscan way of life and the people. We had several other towns on our “list” — San Gimignano, Volterra, and Pienza to name just a few, but along the way, we tossed them aside in favor of enjoying where we were at the time. For example, we skipped San Gimignano last year and wanted to get there this time, but then we turned the wrong way and ended up in Rada. It’s tiny and scenic and there were just a handful of other tourists there. We loved exploring its cobbled streets, window shopping, and had a wonderful lunch. In addition to the usual leather and cashmere shops, Rada is home to a handful of artisans whose galleries show and sell one-of-a-kind ceramics, sculptures and even clothing.
We left Tuscany assuming we will return to see more another time, which is pretty much our travel philosophy. After Tuscany, we made stops in Florence and Rome. (Look for future blog posts on those destinations.) We had visited both before, but really thought there was much more to see and we were so right! There’s a lot to be said for returning to a destination when you are even just a little familiar with it.
One way to soothe my September/back-to-school nostalgia is to look ahead to a year of good reading with my AAUW book group. This group has met for decades, long before Oprah launched her book club and the Internet spawned bloggers (like me!) with all manner of lists.
I have already shared with you (here) that we meet on the first Friday morning in September to select eleven books for the year ahead. Nominations are submitted in advance and additional options from the floor are not accepted. Since so many blog readers and bloggers are avid readers, I thought I would share our choices and invite your comments.
Not surprisingly, A Gentleman in Moscow by Amor Towles and Lilac Girls by Martha Hall Kelly are on the list. (They’re on everyone’s list, and for good reason. I blogged about Gentlemanhere and recently finished Lilac Girls, which is based on a true story of a New York socialite who brought to light the details of Polish detainees at Hitler’s women-only concentration camp.)
We’re also reading The All-Girl Filling Station’s Last Reunion by Fannie Flagg, another nod to WWII. Lisa Ko’s The Leavers recounts the life of an undocumented Chinese immigrant, and The Tea Girl of Hummingbird Lane by Lisa See takes on the lives of a U.S. adopted Chinese girl and her birth mother.
The Other Einstein, by Marie Benedict, about Einstein’s wife, and The Stars Are on Fire by Anite Shreve, about a fire in Maine in 1947, are both considered historical fiction. News of the World by Paulette Giles, set in post-Civil War Texas, may also fall into that category.
We also chose So Much Pretty, by Cara Hoffman, a murder mystery told over 17 years. (A bit of a surprise since we don’t often choose mysteries.) The protagonist in An Unnecessary Woman by Almeddine Rabih is a 72-year-old woman looking back on her life and her books. (I’m very curious about this one!)
We always try to include at least one classic and this year it’s Sister Carrie, by Theodore Dreiser. I read this in college and I’m anxious to delve back into it. But we decided against Swann’s Way by Marcel Proust. Maybe I’ll have to put that on my personal list. We also did not have room for LaRose by Louise Erdrich or The Underground Railroad by Colson Whitehead. I’ll have to add them to my non-club list as well.
So, what do you think? Are any of these on your list? I’d love to know what you’re reading this Fall. And if you need more ideas, check out Katie Clooney’s picks at The Preppy Empty Nester.
(Actually, between Katie’s book, movie and TV recommendations, Mocadeaux’s wine picks, and Everyday Occasions recipes, one could enjoy a genuinely delightful time this fall!)
An easy, elegant appetizer
Last week I was searching for a new appetizer recipe, something simple, and maybe make-ahead, to simplify a midweek dinner for friends. My solution to these dilemmas is often to cruise my collection of Ina Garten/Barefoot Contessa cookbooks. (Ina never disappoints!)
What I settled on was this easy and delicious pot of herbed goat cheese. In addition to the cheese, the only ingredients were fresh dill and basil (both plentiful in our garden right now), olive oil, salt and pepper. I used a cute jelly jar and a log of fresh goat cheese that I cut into four portions and flattened them a bit to make appropriately-sized disks for the jar. I made this a day ahead. Before my guests arrived, I let the jar of cheese come to room temperature before adding it to a small cheese tray, serving it with a choice of hardy crackers and toasted baguette slices. Yum! I loved it, but more importantly, my guests did too. You can find the recipe here.
I’d love to hear what you’re reading and cooking these days. And by the way, I hope you’ll follow me on Instagram to you can get a peek at a new adventure.
Since we returned from our recent travels in Burgundy, Provence and Paris I have been thinking (and thinking) about the French attention to detail, the way fruits, vegetables and even sausages are carefully arranged at the market; simple pots bursting with flowers on every cafe table, cherries thoughtfully piled on a footed plate, individual pastries arranged in a boulangerie window. Even the arrangement of garden plots.
Although attention to detail is one trait that characterizes French charm, it’s not limited to that part of the world. I have been looking at details closer to home, from what catches my eye on my Instagram feed, to Pinterest boards, and garden plots. And for me, at least, it’s often the details — simply shown or in layers — that capture my attention and imagination. (Perhaps this explains how I can spend hours arranging plates on a shelf, pictures on a table, etc.)
What makes these details so important? Obviously, we all want to put our best foot forward. We care about our surroundings and the people in them; personally, I want the surroundings to be visually appealing as well as comfortable. And I want the people to be comfortable and feel special or even pampered at my house.
In fact, I’m not comfortable if something is off visually. In my case, this may be genetic…
Some of us may be born detail tweakers
My mother had a way of arranging appetizers on a tray or serving platters on a buffet. She tweaked this and fluffed that and everything looked a little better. She fussed over curtains inside, then went outside to see how they looked from there (because pretty inside was only part of the story!).
My dad was no better. He was an ad man in the 50‘s and had an innate sense of balance (which he would point out is not the same as symmetry) and a sharp eye for details. One of my fondest memories is of the two of them engaging in a silent duel over the placement of a new pair of arm chairs. Dad happened to be home to accept the chairs, and after the delivery crew left, he adjusted the chair placement on each side of a table as he & Mom had planned. When she came home, Mom admired the chairs and then readjusted the angles on their placement. (Dad was out of the room.) Later, he walked back in and readjusted the chairs. And so it went for the better part of a week. Dad adjusted the chairs every morning. Mom, who left first and came home first, readjusted every afternoon when she returned from work. Until, that is, she finally caved and agreed to Dad’s angle.
There are details and then there are details
Obviously the details that I have been focusing on have to do with design and presentation. But life is loaded with other details. In my editorial days, I was involved in a lot of meeting/event planning (something for which I did not have much talent), and though I dragged my heels at many of the details we added to each agenda, itinerary, and banquet event order, you only need to be unexpectedly left in charge of one event to know how important those details are. You only need to run one meeting to appreciate the importance of a good agenda, including who reports on what. If you start skimping on those preparations, and someone always does, then it’s like fabric fraying around the edges. The result is not as crisp, clean and smooth as it should be.
And so the lesson is: the outcome depends on your attention to the details.
I hope I’m not painting myself as an uptight, Type A person. If anything, I tend to fly by the seat of my pants much of the time. This explains why, when I totally forgot a book group was coming to spend the evening on my back porch, I was able to invite them in, open some chilled wine and serve up cheese and crackers. My detail, as it turns out, is to keep cheese and wine in the fridge and crackers in the pantry.
Where was I going with all this?
Oh, yes, the French attention to detail. This is one of my souvenirs from France. I want to remember to take the time for the attention to details, the carefully wrapped package, the way the cheese looks on the board and the olives in the little glass jars (that I bought at the French flea market), the buttered cookie tins sprinkled with lemon zest to add a little extra. The bottom line is that it doesn’t take much time or money to add a bit of graciousness to our days. And that’s what I’m after.
Which details catch your eye and which ones bypass your attention? I’d love to hear from you.
Blog reading can lead in all sorts of directions. For me, it includes the discovery of The Cook’s Atelier in Beaune, France. The Atelier is a cooking school/wine shop/kitchen boutique created by American expats Marjorie Taylor and her daughter Kendall Smith Franchini to share their love of French food and wine.
I discovered them and the Atelier in a blog more than a few years ago and thought, “Wow! I’d love to do this.” Last winter as we began planning our trip to France, I realized I really could! Beaune was already on our itinerary and we made sure we would be there on a “class day.” This is the story of the “Day in Burgundy” I spent shopping, cooking and dining with nine like-minded travelers and the charming and remarkable Marjorie and her daughter Kendall.
A day at the The Cook’s Atelier is first and foremost an extended class in French cooking with an emphasis on the Burgundian region and its traditions. However, it’s also a short course in the fine art of the French kitchen, in the selection and preparation of fresh, farm-to-table ingredients from the best local resources, in pairing food with the best local wines and then in serving it in a beautiful, casual-yet-elegant french tradition. It is, quite simply, what Marjorie and Kendall love best about France and how they share it.
If I sound smitten, it’s because I am.
We began at a local cheese shop. A total of ten participants, some in two’s and three’s, others like me on their own, gathered a little self-consciously in front of an enticing cheese shop on a square in Beaune. A few of us began introducing ourselves as class participants, but before we could really figure out who was who, Marjorie showed up, introducing herself and her daughter Kendall, connecting many of us to bits of information she had gleaned from our emails, and promising a full day of shopping, cooking and savoring the results. Whatever shyness we may have felt quickly dissolved under the influence of Marjorie’s warmth.
After a tour of the shop and talk of pairing soft and hard, strong and mild cheeses, as well as purchasing some of what we would need for the recipes ahead, we moved on to the Beaune market. Since my husband and I had made a brief tour of the market on our way to find our morning coffee and croissant, it was especially interesting to meet their favorite vendors. Marjorie and Kendall had shopped the market earlier to make sure they bought the best of the fruits and vegetables available. This is key to their cooking philosophy, the best and freshest ingredients, simply prepared.
From the market we moved on to the butcher where we discussed and tasted a variety of pates and acquired some veal rib roasts for our lunch. Then it was off to the Atelier where we trooped up to the second floor kitchen. (Deep breath!) It’s amazing!
This is a teaching kitchen, but I could easily live with it. In the U.S. we have such a different kitchen aesthetic, requiring space for a variety of tools, gadgets, appliances, and knickknacks. The Atelier kitchen is spare and simple, and what I think of as quintessentially French. It stars a beautiful LaCanche stove and Marjorie’s stunning collection of copper cookware, which, she tells us, are (along with her cookbooks) the only things she brought with her when she moved from Arizona to France. Next to the stove, a long, counter-height cabinet provides serious storage. Above it a knife rack holds enough cutlery for the class a few times over. In the center of the room, a narrow, marble-topped worktable was neatly set with chopping blocks, aprons and towels. And light. There’s so much light. The Atelier is housed in a 17th century building, and the second-floor kitchen features a floor-to-ceiling window at one end that looks out to the original, winding wood stair to the third floor, the wine shop and kitchen boutique at ground level below, and a skylight above.
Who wouldn’t be happy cooking here?
So, we donned our aprons, and took our places while Marjorie chatted to us about the menu (grougeres, green garlic souffle, vegetables including fava beans, fennel, wild asparagus, carrots and potatoes, roast veal, madeleines, and simple butter cake). We cleaned and trimmed vegetables, prepared cake batter, and prepped the madeline batter and pans for later use. We learned about knives, storing fresh herbs and whole vanilla beans (but not together!), and how to crack and separate eggs (it took two dozen eggs to get the 12 egg whites we needed for our souffles, but that was part of the fun). We grated cheese, whipped egg whites, and learned to “french” the bones on the veal roasts. We discussed copper cookware and the basics of roasting any meat.
And all the while Marjorie shared the story of her restaurant in Arizona, her daughter’s love of France and move there, Marjorie’s decision to follow and the serendipitous development of the business with their love of cooking, wine, and all things French. Kendall’s husband Laurent, has joined the business, running the store and negotiating the intricacies of owning a business in France. Together these three have created a successful family business focused on work that they love and accommodating the needs of Kendall and Laurent’s two small children who dart in and out of the business as they would their own house.
At the same time all ten students developed our own brand of kitchen comaraderie, asking questions, sharing tasks, basking in Marjorie and Kendall’s hospitality. I have wondered since then, did we all get on so well and enjoy our time together because we shared a love for cooking? Perhaps. But I also think the hospitality, the shared tasks and, later, the shared meal ultimately had total strangers trading emails and hugging goodbye.
The seven course lunch.
After our cooking chores, Marjorie and Kendall gathered our aprons and shooed us upstairs to another sunlit room with another table for ten, this time set for dining. It was simple, set with white dishes and heavy, white monogrammed napkins simply folded. No overblown centerpieces or themed place settings. Despite the afternoon light, votives and candles glowed on adjacent surfaces.
We began with glasses of champagne and the grougeres we had prepared earlier, then some of the charcouterie from the market. Next, fava bean and shaved fennel salad and then the individual souffles in copper pots appeared. (Note so self: Serve something in individual pots. It’s magical!) We oohed and aahed over the presentation, then over the souffles themselves. Kendall served more wine (She chose something for each course, and I am so sorry I did not take a photo of each bottle. I would love to refer back to them!)
I can’t go thru all the courses (I’ve probably already bored you), but clearly thoughtful presentation is the perfect complement to fresh, seasonal ingredients and careful preparation. We took the time to savor each course, the conversation (and wine) continued to flow, and the rest of the afternoon slipped away.
I loved every bit of the day, and I have continued to savor it, mentally as well as puttering in my own kitchen at home. I’ve tried a few of the recipes and look forward to doing more.
When we travel, it’s so easy to define what we want to see (the Eiffel Tower or Duomo) or experience (hiking in the Grand Canyon or walking China’s Great Wall). I think my day at The Cook’s Atelier was more; it was slipping into a heady slice of French culture, and now seeing what I have brought back home.
I encourage you to visit the new website for The Cook’s Atelier. The photos are gorgeous, you can learn more about them and their classes, and they have a shop!
For now, I’m so glad you joined me. See you next time!