One way to soothe my September/back-to-school nostalgia is to look ahead to a year of good reading with my AAUW book group. This group has met for decades, long before Oprah launched her book club and the Internet spawned bloggers (like me!) with all manner of lists.
I have already shared with you (here) that we meet on the first Friday morning in September to select eleven books for the year ahead. Nominations are submitted in advance and additional options from the floor are not accepted. Since so many blog readers and bloggers are avid readers, I thought I would share our choices and invite your comments.
Not surprisingly, A Gentleman in Moscow by Amor Towles and Lilac Girls by Martha Hall Kelly are on the list. (They’re on everyone’s list, and for good reason. I blogged about Gentlemanhere and recently finished Lilac Girls, which is based on a true story of a New York socialite who brought to light the details of Polish detainees at Hitler’s women-only concentration camp.)
We’re also reading The All-Girl Filling Station’s Last Reunion by Fannie Flagg, another nod to WWII. Lisa Ko’s The Leavers recounts the life of an undocumented Chinese immigrant, and The Tea Girl of Hummingbird Lane by Lisa See takes on the lives of a U.S. adopted Chinese girl and her birth mother.
The Other Einstein, by Marie Benedict, about Einstein’s wife, and The Stars Are on Fire by Anite Shreve, about a fire in Maine in 1947, are both considered historical fiction. News of the World by Paulette Giles, set in post-Civil War Texas, may also fall into that category.
We also chose So Much Pretty, by Cara Hoffman, a murder mystery told over 17 years. (A bit of a surprise since we don’t often choose mysteries.) The protagonist in An Unnecessary Woman by Almeddine Rabih is a 72-year-old woman looking back on her life and her books. (I’m very curious about this one!)
We always try to include at least one classic and this year it’s Sister Carrie, by Theodore Dreiser. I read this in college and I’m anxious to delve back into it. But we decided against Swann’s Way by Marcel Proust. Maybe I’ll have to put that on my personal list. We also did not have room for LaRose by Louise Erdrich or The Underground Railroad by Colson Whitehead. I’ll have to add them to my non-club list as well.
So, what do you think? Are any of these on your list? I’d love to know what you’re reading this Fall. And if you need more ideas, check out Katie Clooney’s picks at The Preppy Empty Nester.
(Actually, between Katie’s book, movie and TV recommendations, Mocadeaux’s wine picks, and Everyday Occasions recipes, one could enjoy a genuinely delightful time this fall!)
An easy, elegant appetizer
Last week I was searching for a new appetizer recipe, something simple, and maybe make-ahead, to simplify a midweek dinner for friends. My solution to these dilemmas is often to cruise my collection of Ina Garten/Barefoot Contessa cookbooks. (Ina never disappoints!)
What I settled on was this easy and delicious pot of herbed goat cheese. In addition to the cheese, the only ingredients were fresh dill and basil (both plentiful in our garden right now), olive oil, salt and pepper. I used a cute jelly jar and a log of fresh goat cheese that I cut into four portions and flattened them a bit to make appropriately-sized disks for the jar. I made this a day ahead. Before my guests arrived, I let the jar of cheese come to room temperature before adding it to a small cheese tray, serving it with a choice of hardy crackers and toasted baguette slices. Yum! I loved it, but more importantly, my guests did too. You can find the recipe here.
I’d love to hear what you’re reading and cooking these days. And by the way, I hope you’ll follow me on Instagram to you can get a peek at a new adventure.
I’ve thought a lot about what to write this week. This is a blog about the fun stuff, “the looks, books, cooks, and travels of a somewhat curated life.” But then the scenes from Texas start playing in my brain and everything I’m thinking seems trivial and even inappropriate.
Home is at the heart of everything for so many of us. It’s our haven and our safe place. This is where we come at the end of the day, where we reconnect with our families, where we share some of life’s best moments. Harvey has stripped that safety, that comfort, from its victims. Getting it back is going to take a long, long time, and it’s going to be hard, really hard. They deserve our love and support, however we can give it, and our thoughts and prayers, whatever is our custom, for months to come.
Back to the space between summer and fall.
This can be a challenging time, a yin & yang season. If you love summer, it’s coming to a close. If fall is your favorite season, it’s just around the corner. If you’re feeling sentimental, it’s the start of a new school year. If you loved school, it’s new friends, new books, new classes. Your summer vacation may be behind you, but, hey, the holidays are yet to come.
See what I mean? Yin & yang.
I’m a glass half-full girl, so although my garden is frankly tired and the lawn has some nasty brown spots, I’m cooking up a storm with the tomatoes, cucumbers, beets, basil and dill running wild in the vegetable and herb gardens.
I can’t help myself.
This is the season of closing one chapter and opening another. I think it’s the back to school mindset. I loved school, as did my kids (well, at least they would say they “liked” school). I have to confess that I’ve always felt a little stymied by moms who are so sad at the start of the school year. (You know, the ones who are forced to wear dark glasses to hide their teary eyes.) I understand that whether you are sending a preschooler off to kindergarten or your “baby” off to college, the start of the school year marks off another year on the calendar, perhaps even a stage of your life. But still…
No matter how I felt inside on the first day of school (and it wasn’t always good), as a mom I always took a deep breath and forged ahead, not because I’m especially brave or wise, but because I thought I owed my kids all the optimism and excitement I could muster. And in all honesty, since both my son and daughter hopped on the bus, ran into the building, pushed us out of the dorm, maybe it was the right thing to do.
Where do you stand on the first day of school?
I’m writing this on August 31st, always a bittersweet day for me. It was my Uncle Bill’s birthday, my favorite uncle, the uncle by which all other uncles should be measured. This is the uncle who took my seven-year old self ice skating in January, then out for a banana split. In fact, he skated with me and with my Aunt’s many nieces and nephews for decades. This was Bill. He taught us all to swing a bat and a golf club, and to catch a fly ball. He and my aunt never missed a birthday, baptism, confirmation, graduation, etc. They were the champions of milestones and carried this on to the next generation. Bill was the same uncle to my kids as he was to me, sometimes with comic results. He missed an entire quarter of my son’s state championship football game because he went to get coffee (Translation: He was way too nervous to sit in the stands) and ended up helping the crew in the refreshment stand brew the first pot!
In a week where tragedy has helplessly unfolded before our eyes, in this yin & yang season, remembering Bill is a genuine comfort. He would be saying a prayer for hurricane victims, telling me what to do about the brown spots in the lawn, complaining about the Chicago Bears, and cheering on my grandson’s first weeks of first grade.
So, I have been thinking about the pictures of our life lately.
If you follow me on Instagram, this photo of the Chicago River is not new. I took it last week, walking down Madison Street from the train station to the Art Institute. This is workday Chicago, part of what the commuters see (or maybe don’t even see any more) on their daily travels to work or school. It’s not as glamorous as Michigan Avenue or the lake front, but it’s very much the city.
As I was flipping through a week’s worth of photos, I was thinking about how they capture life. We all get cameras (or phones!) out for the big moments: birthdays, anniversaries, graduations, etc. And then there are the vacation photos: the beach, the mountains or even the backyard. But lately I’m thinking about daily life, like this photo of construction at Madison St. and Wabash Ave. My challenge is to capture that.
Last week started on a tough note with the pictures from Charlottesville, Virginia, animated by a sound track my mother would describe as “ugly talk.” Yesterday the country was captivated by the power of Mother Nature and a total eclipse that stretched from coast to coast.
Resilience may be one of life’s most valuable assets.
When I took the shot of the Chicago River, my husband and I were headed to the Art Institute in Chicago to see a current show, “Gauguin: Artist as Alchemist.” (If you’re a regular reader, you know this is my idea of a great day and it seemed like a good antidote to the noise of Charlottesville.)
Most of us think of Paul Gauguin as the painter of vibrant and exotic scenes like “Tahitian Women on the Beach.” But this exhibition took a much closer look at his creative process, especially his ceramics and wood carvings. (I know, who knew he even worked in these mediums?)
Gauguin actually began his artistic expression as a wood carver, something he was easily able to do as a youthful sailor. Before he was a painter, before he was a businessman, before he was a husband and father, he was a commercial sailor and traveled the world more than once. The experience had a significant impact on his artistic expression. This single figure, right, is something a sailor would carve.
A number of the wood carvings in the exhibition were flat, including some that were applied to pieces of furniture. We were impressed with the way Gauguin married the finished carving with the rough texture of the original wood.
I also think it’s interesting that this piece and the one below both feature figures similar to many of his south seas paintings, but in the carving, below, he has added color.
In addition to working with wood, Gauguin also created several pieces of pottery, though not all remain due to the fragile nature of the material. Doesn’t the design on this bowl reflect the colors and designs in his paintings?
This smaller vessel with added decoration and figures and all done in a free-form manner is representative of a number of ceramic pieces in the exhibition. The amount of color and detail he added is also reminiscent of many of his paintings.
Regrettably, I did not capture images of his printmaking. I really got caught up in the processes he used. Typically woodblock or woodcut prints are made to create identical copies of a single design. However, in Gauguin’s hands process was different. He purposely tweaked each print, with a wash of color, with different papers and inks. In many cases the prints were displayed as progressions of a design, but not duplicates. Still searching for a better expression.
Steve and I were both struck by how much more Gauguin did than his paintings and about how much more there is to his artistic vision. He tested, experimented, and tried new mediums, always searching for a better way to express himself.
When you think about it, challenging ourselves to progress — in our work, our art, our life — is pretty essential. In this “back to class” season, what are you challenging yourself to do?
My husband and I, along with our children and grandchildren, spent last week on Kiawah Island, South Carolina. It’s safe to call this a family tradition since we have taken this same vacation for almost all of the last 25-plus years. (Some people might call that a rut, but I like to think of it as a home away from home.)
We look forward each year to familiar days at the beach, bike rides on the island, and favorite restaurants, but each trip also seems to have its own adventures. (On the first morning of the first year my daughter-in-law joined us a baby shark was discovered swimming along the beach. We really worried that she’d never come back!) It’s the kind of place where a waiter in your favorite restaurant turns out to be the boy who lived across the street 20 years ago and an old friend from those mommy-and-me days walks by on the beach where you’ve settled in with a book.
Part of the charm of Kiawah (apart from 10 miles of pristine beachfront, protected dunes and a lush, protected landscape devoid of chain stores or restaurants) is that it’s just 20 miles from Charleston, recently named (again) one of the top destinations in the US. We knew this early on. Charleston is ground zero for American history, foodies, and charm.
I am totally charmed by Charleston’s many gardens, some of them public, some more private, and some completely hidden. At this time of year they are very lush and green.
This year my husband and I were in Charleston a day ahead of the rest of the family and stopped for lunch at one of his favorite restaurants. We’d barely settled into our booth when another diner stopped by our table and asked if we were visitors.
Why, yes, we are.
Well, said the diner, I was just given two free passes for Fort Sumter but we’re leaving now. Can you use them? (A bit of history: Charleston’s harbor, where the Cooper and Ashley Rivers merge with the Atlantic Ocean, is also home to Fort Sumter, where the first shots of the Civil War were fired.)
This is one of the tricks of Charleston. The sense of polite, genteel hospitality Charlestonians are known for just starts rubbing off on everyone. And for history geeks like us, the passes were like finding money in the street.
We had been to Fort Sumter years ago, on one of our first trips. Our kids were in grade school then, and it was a very hot day. The best part was the boat ride out there and back; there was very little left of the fort. This time, our daughter, my husband and I made the trip one afternoon. It was not as hot and the boat ride was still fun, but we also appreciated the fort far more. We could not remember if there was a Park Ranger talk the first time around, but there is now and although it was short, we learned a lot.
Fort Sumter was built on a manmade island positioned to guard the all-important Charleston Harbor. After the War of 1812 the U.S. Army realized existing fortifications on either side of the harbor could not stop an attack on the city. Despite the fact that there is very little left of the fort, it was originally pretty large — three stories high and designed to accommodate a substantial number of men and even officers’ families. (It was not yet staffed except for Union troops who had secretly moved there from Fort Moultrie after Lincoln’s election.) After those legendary shots were fired April 12, 1861, and subsequent shelling, the Union Army was ultimately forced to surrender. However, this was still a “Gentleman’s War,” so, until he surrendered, U.S. Army Major Robert Anderson was allowed to receive supplies from the city and use telegraph lines there to communicate with his commanders. (This is, after all, Charleston.) After the surrender Anderson and the remaining soldiers were allowed to leave on a supply ship. They went to New York where they received a hero’s welcome.
And that’s how history unfolds…
For the last few years, my daughter and I have made a point of going into Charleston early one morning so we can walk and photograph the streets. Last year we did this on a very hot, humid Charleston morning and, after an hour or so, we were desperate for cool air. We turned a corner and there was the Nathaniel Russell House, one of the “house museums” operated by the Historic Charleston Foundation, so we went in and took the tour — again. We are “repeat offenders” because although houses like this are historic, they are not static. Continuing research, based on excavations, paint analyses, or even newly discovered documents or furniture often lead to changes in the house as well as its interpretation. (We really are history geeks!)
Last year we had passed the Calhoun Mansion and decided we should visit it next, so this year, after a walk that was far more comfortable (and at least 10-degrees cooler), we headed down Meeting Street in time for the first tour. We knew the house, built a few decades after the Civil War, was different than others we have toured (all pre-Civil War, often by many years). What we did not realize was just how different it would be.
A bit more history: the 23,000 square-foot house was built in the 1870s by George W. Williams, who had made a fortune as a merchant-turned-Civil War blockade runner. The docent who showed us around said the house was constructed in the early years of the Gilded Age (think Vanderbilt and Carnegie), when building mansions to hold vast collections of art, furniture and collectibles was common among men of certain stature. It became known as the Calhoun Mansion when Williams died, leaving the house to a daughter married to Patrick Calhoun, grandson of John C. Calhoun.
I wondered, out loud to the docent, how Charlestonians accepted this mansion in their midst. The city’s residents, once successful landowners and professionals living privileged lives, had suffered terribly during the Civil War and the city had struggled to survive. Post-war society was so polite that those who did have the means to repair or repaint their homes, did so sparingly, not wanting to embarrass friends and neighbors who could not afford to do the same. The docent pointed out that the construction employed hundreds of unemployed citizens for years.
The mansion is packed with furniture and collectibles, but almost none of it is original to the house. Those belongings were auctioned off after Calhoun suffered financial setbacks. The current owner, however, is an avid collector and has filled the house with the same vast quantities of “stuff.” The floors, the woodwork, the Tiffany chandeliers and the glass ceiling in the music room are all beautiful. But I found it hard to focus on most of it, along with the lovely collectibles, just because there was so much stuff. The collection ranges from Tiffany glassware and a Wedgewood-decked chandelier to Kibuki armor and English footstools made from the feet of real elephants. It’s dizzying.
People love it, but I was confused by the clutter and frankly a little “turned off” that a family really lives here part of the time and charges admission to allow tour groups. Am I weird? Probably. Perhaps I just want a “purist approach” to 19th-Century houses.
The gardens were beautiful, but on the whole I’d call this a miss. Interesting, but maybe not for the right reasons.
On the other hand, here are a few more shots from that morning in Charleston.
Whether you are traveling or staying close to home this season, I hope your summer features far more hits than misses!
Do you have a favorite hotel? I’m talking about a legendary, grande-dame of a place that may or may not be showing its age but remains elegant, with discrete service, a five-star dining room and the requisite, legendary bar. The Ritz in Paris or the Plaza in New York may come to mind. In Chicago it would probably be the Palmer House or the Drake. In Moscow it is the Metropol Hotel.
According to its website, the Metropol was built in “1899-1907 in Art Nouveau style, with contributions from some of Russia’s greatest architects and artists of the day.” Its location between the Bolshoi Ballet and the Kremlin makes it ideal for travelers and as a setting for A Gentleman in Moscow by Amor Towles.
This is my new favorite book.
It would be a great read at any time (and obviously it has been for many since it spent 20 weeks on the New York Times best seller list since its release in 2016). But now, with Russia dominating our headlines, it seems almost too perfect. Do not, however, expect A Gentleman in Moscow to bear any resemblance to current events. Rather this is a tale from inside Russia in the first half of the 20th century. In fact, it’s a novel set almost entirely inside the Metropol Hotel.
Briefly, the novel tells the story of Count Alexander Ilyich Rostov, a Russian aristocrat arrested by the Bolsheviks in 1922, but saved from execution because as a student he had written an influential revolutionary poem. Instead of the Gulag, he is sentenced to permanent house arrest in Moscow’s Hotel Metropol. The Count had been living in a posh suite in the Metropol, where he had installed a variety of cherished family heirlooms and established a comfortable routine. However, under house arrest, he is forced to move what he can into a garret room in the Metropol’s attic and go from there.
The Count, being the Count, adapts.
That’s the charm and the challenge of the story. I must admit that I knew the premise of the book before I started reading, and I was intrigued about how Towles would handle the limitations of the hotel. Not to worry. The count’s former worldly circle is replaced by a new one within the Metropole: the cook, maitre’d, seamstress, bartender, and even an orphan for whom he assumes a paternal role. Towles deftly introduces hotel guests to bring the world to the Metropole and the Count, whose diplomatic skills and knowledge of history, literature, music, art, food and drink eventually make him a valuable mentor to high-ranking party members, netting a whole new range of relationships.
And then there are the dramas that play out. This is, after all, post-WWI and revolutionary Russia. There is the depression, the party’s struggles, WWII, Stalin’s death, the Cold War. The book spans nearly four decades, giving the count plenty of time to adapt while never losing his dignity or his sense of right and wrong.
Although the focus is on the Count, it’s impossible to overlook the challenges the other characters experience. The cook isn’t just losing access to ingredients in a time of shortages, he’s losing access to the tools of his trade, to his artistic expression. When the hotel manager — “the party’s” representative in the hotel — inserts himself into the daily restaurant meeting, the Count and his cohorts lose their autonomy. The losses may be incremental, but they mount. Life in Moscow is not easy, but these characters soldier on, assuring their guests the Metropol’s traditional service and style, and assuring themselves of their values and traditions.
This is much more than a survival story, it’s about thriving in the midst of adversity, never losing one’s “center” (and in fact, having a moral center). And this is the part that brings me to current headlines. Without sounding too political, what does it mean today to have a moral center? What does it mean to be an American in 2017? I’ve been thinking about that a lot.
This book would be a great read at any time, but right now, I think it’s perfect.
Bonus! Saving — and celebrating — a bit of every book
My daughter is an avid reader. (Hence her blog, What Maggie Read). We talk books a lot: what we’re reading, why, what’s next on our list, what our respective book groups thought about recent reads, and on and on (as my husband would say). One recurring topic of this conversation is documenting what we have read.
Maggie keeps a reading journal. (I’d like to be that disciplined, but I’m not.) She recently told me about a friend who keeps a kind of “annotated” list of books. As Adele finishes a book, she adds the title and the first sentence of the book. Cool, huh? We both think this is a great way to keep a record of what you have read. (Thanks, Adele.)
Do you track what you have read in a journal or a list or just by looking at your bookshelves? I would love to hear from you.
I could not wait to plunge into our recent travels in France to tell you about Castle Sercy, here, and my day at The Cook’s Atelier, here. But then I thought I should backtrack and give you a look at our trip overall. It was more than castles and cooking.
A few years ago we took a river cruise in France that traveled north from Arles in Provence to Salon sur Saone in Burgundy. We had a wonderful time, we just didn’t have enough time in many of the places we stopped. There were other sights like the Pont du Gard, and towns, like Aix en Provence, along the way, that we never got a chance to see.
We knew we would go back — soon. Then my son introduced me to Ina Caro’s book, Paris to the Past, in which Caro and her husband retraced French history by daytripping via train from Paris to various cathedrals and castles. They did this in chronological order starting with the oldest sight. Since we had already visited Notre Dame, Saint Chapelle and Chartres, I wanted to visit a few more sights on the list.
Burgundy is home to countless small wineries that we could only sample by visiting ourselves, and Steve was eager to do that. I had discovered The Cook’s Atelier in Beaune (a town we loved on our first visit) and was determined to attend one of their daylong cooking classes. If we started in Reims, we could visit the cathedral where centuries of French kings were crowned.
After a few days in Burgundy, we planned to drive south to Provence, exploring more hilltop towns, visiting markets, and, yes, getting lost on more back roads, before dropping the car off in Avignon and taking the train to Paris.
Our travel misadventure adventure begins
We flew into Paris and, on a chilly, drizzly morning with virtually no sleep on the overnight flight, proceeded to drive to Reims in our rented Renault Clio. We paid extra for a GPS system, but never really figured out how to use it, which explains how we ended up heading towards Paris instead of Reims. Fortunately, even my seriously limited French revealed we were going in the wrong direction. Pull over, pull up Google maps, and recalibrate. (This is a little jingle we would oft repeat!)
Here’s what we learned about driving in France: In addition to being in French, the road signs did not indicate direction. Alas, we midwesterners are used to I80 West, I65 North and so on. Not so in France. Keep your eye on the Google map. And here’s what we learned about roundabouts: keep going around until you are sure of the exit you want to take. If you make the wrong assumption and take the wrong roundabout turn off, you can go many kilometers before getting a chance to turn around on these narrow country roads. Tollroads are nice, but not typically very close to the towns you really want to see. (And the country roads are indescribably scenic and fun to travel!)
After our stop in Reims and catching up on our sleep at a hotel in Troyes, we visited the Abbey of Fontenay on our way to Beaune. Founded in 1118 by Saint Bernard as a Cistercian abbey, Fontenay is one of the oldest in Europe. Cistercians vow to live a simple life in poverty. Their monasteries were self-sufficient. By 1200 the monastery was complete and able to serve as many as 300 monks. Despite its initial success, the abbey was attacked and pillaged in the Hundred Years’ War and the Wars of Religion. The monks left during the revolution and the property was turned into a paper mill by the Montgolfier family (of balloon fame). Today it is privately owned. It became a UNESCO World Heritage Site in 1981.
True to the abbey’s orders, the buildings are remarkably simple, sometimes even stark, but they feature beautifully vaulted ceilings and generous doses of graceful symmetry.
On to Beaune, the wine capital of Burgundy in eastern France. It is also home to the Hotel Dieu, a 15th-century former hospital that is now a Museum. We had toured the Hotel Dieu on our first visit (an intriguing sight), but we were anxious to explore the town, sample the legendary wines, and I would spend a day cooking.
As we explored Beaune on foot on the day before my cooking class, we stopped by The Cook’s Atelier to introduce ourselves. My husband asked about nearby wineries and Marjorie’s son-in-law graciously arranged for us to visit Chateau Pommard, one of the oldest in Burgundy and just a handful of miles away. (And, yet we got ridiculously lost in this tiny town, so much so that we had to call the Chateau and say “this is where we think we are, how do we find you?”)
Although the estate changed hands a few more times and is now owned by an American, it has remained complete and has benefited from significant improvements to the estate management and the winemaking. Pommard wines are known worldwide for their quality, and the tour and tasting was simply wonderful.
By now we were becoming more comfortable with driving in France. We still got lost (often!), but we took it in stride and felt free to stop, take pictures and make impromptu changes to our so-called itinerary. This is what we were hoping for!
Now we know why everyone loves Provence…
Before we knew it the road from Burgundy led to Provence where we finally saw the Pont du Gard, visited Aix, and fell in love with French markets. Provence is absolutely charming and prettier in person that any picture. Really. We just let it unfold in front of us as we traveled.
One of the charms of driving on our own was the freedom to stop and explore, as we did here at Seguret, stopping for a leisurely lunch in an outdoor cafe overlooking the French countryside.
Our plan was to stay in L’Isle sur la Sorgue for a few days (so we could attend their big Sunday market which includes antiques) and then move on to St. Remy. Both towns provided a great base from which to visit other hill towns. (And we did a lot.)
L’Isle sur la Sorgue is larger and has a working class vibe. The town owes its early prosperity to the Sorgue River, which served it well defensively centuries ago, and for the industry and trade the river offered. A number of working waterwheels remain in the heart of town
Today it’s home to many antique stores, typically only open on the weekend for the market (though I’m sure they do considerable private business the rest of the time). In the few days we were there, the people and pace seemed to pick up in anticipation of the Sunday market. We stayed a few miles from town and the hotel advised us to arrive in town on Sunday well before the market opened to assure parking. We did, though parking proved not to be a problem (or maybe we were just really early). So, we grabbed cafes and croissants from a boulangerie and enjoyed the activity as the vendors set up their wares.
I was especially eager to see what the antique dealers would offer and was not at all disappointed. There were linens, dishes, knickknacks, books, paintings and prints, and furniture, some of it just barely vintage but much of it centuries old. Centuries! I think the prices were fair and dealers were willing to bargain, I just had no idea how to get a lot of it home in a suitcase!
As much fun as the markets and specific sites were, driving almost daily through the French country side was just as much fun.
When we moved on to St. Remy I was reminded of the visit we paid a few years ago to the nearby Asylum of Saint Paul Mausole where Vincent Van Gogh went to recover his health; he improved here, and enjoyed an especially productive period, completing almost 150 paintings and a number of drawings from May 1889 until May 1890. (You may can read my post on that here.) One of the disappointments in the last visit was not spending time in St. Remy. This time we stayed in a charming, old hotel on the square. (In France, old means no elevator. We counted 69 steps to our room!)
We loved the weekly market in St. Remy. Like the others it was a colorful mix of fruit, vegetables, sausage, cheese, spices, baskets, t-shirts, linen towels, handmade soap, and local artists. And I’ve probably left out a few categories. Despite the obvious merchandise aimed at tourists, it’s important to remember that most French residents shop these markets weekly for food and to catch up with neighbors. It’s very much a part of the culture.
One of the side-trips we took from St. Remy was to Aix en Provence, a scenic drive on a warm day. I expected Aix to be pretty (and it was) and knew it played a role in the art community (you’ll see that), but we were totally unprepared for how big and bustling it was, especially on its market day (unplanned on our part). The traffic was like rush-hour gridlock. We worked our way towards Paul Cezanne’s studio, found parking in a nearby hospital lot, and walked the rest of the way.
The studio was so worth it. Cezanne had many studios over the course of his career, but this was his last and he had it built to his own specifications, a small, two-story structure on a hill in what was then the outskirts of town. The painting studio, above, was on the second floor, and though he worked every day, he often left the studio and worked outdoors. In October 1906 Cezanne was working outside the studio when the weather turned stormy. He worked for awhile anyway, then decided to go home. Unfortunately, the artist collapsed along the way. A passing driver took him home. He died of pneumonia a few days later. After his death, the Cezanne family simply locked up his studio. After a time the building was sold to a writer, who only used the first floor, leaving all of Cezanne’s art materials undisturbed upstairs. Eventually, Aix grew, and the structure was scheduled for demolition and redevelopment. A group of Americans banded together and saved Cezanne’s studio, donating it as a museum to a local university. The easels, paints, palettes, props, coffee cups – everything in the studio – are as Cezanne left them. Amazing!
After our stay in St. Remy, we dropped our car off in Avignon and took the train to Paris for our last few nights in France. I’ll post about that later. We have been to Paris a number of times, so this was more relaxed than earlier visits, seeing a few sights, shopping a little and enjoying French cafes.
Thanks for stopping by and reading and — hopefully enjoying — this loooong post. See you next time!
PS: I love Instagram and post there often. Follow me here.
Sometimes it’s the bits and pieces and not the “big picture” that capture my attention. Here are a few things that caught my eye this week.
An artist to watch
This past Sunday Steve and I headed downtown to meet some friends at the Millennium Art Show (which was really an excuse to catch up, walk around bit and then grab something to eat.) This was a small show but with some really interesting pieces and I’m sorry I didn’t spend more time seriously looking at the works displayed. Hmmm, perhaps we were chatting more than looking? However, I did enjoy re-discovering Daniel Lai.
Lai is a Tennessee artist who enjoys sculpting and repurposing books into the most amazing pieces of art. I first saw his work at the Wells Gallery at the Sanctuary on Kiawah Island. His work is so distinctive that I immediately recognized him at the show on Sunday. He says he started playing with books as a bored student, then was encouraged to re-purpose some of a friend’s books. I’m charmed by his imagination, the many ways he uses books and pages, those wonderful clay figures and the little extras, like the fishing pole. I think his work is both whimsical and provocative. What about you?
I captured the images, above, of his work from screen shots on You Tube. I wanted to share a few more images of his work and my photos just didn’t do it justice.
Three links to visit
I have been known do lots of blog-reading and coffee-drinking in the morning. Last week I was giving myself a real break after several especially busy days. And here’s the fun, my email inbox was full of links to some great blog posts.
Karianne at Thistlewoodfarms always has a fun take on life (she’s also a wonderful photographer and shares amazing DIY projects). She did a great post on 5-minute cleaning tips. I loved this, because she mentioned the messes that you (or at least I) forget about (like Cheerios in the silverware drawer). I also love the idea of limiting cleaning chores to 5 minutes. Click here for her tips, and if you have a 5-minute tip, please share!
Joni Webb at Cote de Texas did yet another of her beautiful, well-researched and illustrated posts, this time on designer Jackye Lanham and her home in Charleston, SC. First, Ms. Lanham does beautiful work: elegant, traditional rooms, minus the do-not-touch museum look. You would like to live in her rooms and her Charleston house, well, just take a look at the post! This is pure eye-candy. Pour a cup of coffee and just enjoy. (Joni’s posts are always a mini-course in art, architecture and design. She did a remarkable post on the real homes and rooms behind The Crown.)
Finally, Elizabeth at Blue and White Home, has a wonderfully clean, easy, mostly-traditional-but-sometimes-modern aesthetic (she’s also a Chicago designer, yay!). One of her recent posts turns that look onto some floral arrangements she made from blooms in her parent’s Vermont garden. They are simple, unpretentious, infinitely doable and most of all really pretty. It’s one thing to go to the store for a few bunches of flowers and greenery (we all do it all the time), but quite another to create such pretty pieces from what we have growing in the yard. Check them out.
The “stars” in my garden
My garden has a few spectacular successes this year, as well as a few failures. I don’t know if it’s the weather or, more likely, my not-so-green thumb. However, I walk the garden daily, sometimes taking pictures, often cutting some blooms to bring inside, pulling assorted weeds and dead-heading spent flowers. Not surprisingly, the stars of this year’s garden are the daylilies, and these purple coneflowers that are popping up everywhere. Take a look:
I hope you’re finding some “fun stuff” in your inbox and enjoying these July days!