A funny thing happened on the way to writing this post…
A few months ago, I wrote here about recent books I’d read and included an enthusiastic review of Save Me the Plums by Ruth Reichl. After that, I started thinking about other books I had read that were written by cooks, and it occurred to me that the book lovers/cooks among my readers may enjoy learning about them. So here’s a quick look at what that shelf in my library might look like. And — wait for it — here’s the funny thing: If you’re a bit of a Francophile, you’ve hit the motherload, because it turns out that each of these cooks have or are are working and cooking in France!
What does a 36-year-old woman do when she loses her corporate job? How about cashing in her savings and heading to Paris to attend the famous Le Cordon Bleu cooking school? That’s what Kathleen Flinn did, fulfilling a long-held dream. Then she wrote The Sharper Your Knife, the Less You Cry: Love, Laughter and Tears at the World’s Most Famous Cooking School. Sounds romantic and it was, but then again her french was not good and her classmates were very competitive. Not only is this a recipe-laden personal memoir, it’s also the first book-length account of the experience of attending the famous school. The Sharper Your Knife did earn a spot on the New YorkTimes best seller list and was included on a number of “best of” lists in 2007. Since then she has also written The Kitchen Counter Cooking School and Burnt Toast Makes You Sing.
Long before Kathleen Flinn took on Le Cordon Bleu, there was Julia Child. My Life in France recounts Julia and Paul’s early move to France, her discovery of — and passion for — french cuisine and her cooking adventures before, during, and after (including her own time at Le Condon Bleu!). Of course there are recipes, but I really loved this book for the story it told about Julia and Paul. The book is largely based on letters written by Julia and Paul Child to his twin, Charles Child, grandfather of co-author Alex Prud’homme. Julia’s uniquely pitched and enthusiastic voice is everywhere in the book. Most of us think of her as the dynamo behind Mastering the Art of French Cooking, which many say brought french cooking to America, and the subsequent PBS series The French Chef, both wildly successful. But Julia and Paul weathered more than their fair share of personal and professional challenges along the way, and they too are part of the story.
David Lebovitz is a former pastry chef, who spent 13 years in the restaurant fast lane at Alice Waters’ Chez Panisse before heading across the Atlantic to Paris. (Don’t they all?) He writes a dynamite blog on cooking, dining, drinking, and life in France, begun as a website before there were “blogs” and intended to promote his first book, Room forDessert. In addition to seven recipe books, he wrote The Sweet Life in Paris which recounts his move there and the ups and downs of adjusting to Parisian life. It includes recipes for everything from hot chocolate to spiced nuts, including Carnitas, Absinthe Cake, Fig-Olive Tapenade, and so much more. David Lebovitz is fun because his cooking is all over the map.
I also read L’appart, the Delights and Disasters of Making My Paris Home, which recalls in detail both painful and funny the story of Lebovitz buying an apartment he envisioned (really a large open kitchen) and one he can afford (a derelict space in an uncertain building). In addition to his endless stream of Parisian anecdotes, this book is armed with appealing recipes like Bacon, Green Peas and Tarragon Quiche, Beef Stew with Olives, and an intriguing cocktail called The Truth Serum featuring tequila and Izarra or Charrteuse.
Finally, I’m including The Cook’s Atelier by Marjorie Taylor and Kendall Smith Franchini. They think of it as a cookbook and I do too, but it’s also a coffee table book with it’s oversized, lush photos of the Burgundy countryside and their beautiful shop in Beaune, France. And then there is the story of how Marjorie ran a successful restaurant in Phoenix before following her daughter to France, and their search to build a successful family business around their Burgundian way of life in Beaune, and the business that grew and portraits of the farmers, shepherds, butchers and more that complete their picture. The atelier’s philosophy is built around seasonal cooking, and the recipes are arranged accordingly. for example, Spring Dinner in the Wine Shop includes White Asparagus with Hollandaise, Green Garlic Souffle, and Rustic Apricot Tart.
Bonus! Virtual cooking from a Charleston, South Carolina kitchen. I’ve just discovered @BrooksReitz on Instagram. Reitz is a Charleston restauranteur and the man behind Jack Rudy Cocktail Company. He is, as he says, a cook not a chef, and his video recipes (filmed at home by his wife) are short, simple and use what you have in your pantry. (He’s big on frozen peas, eggs, celery, and whatever fresh herbs you may have.) But here’s the catch — they don’t taste simple. Reitz layers flavor to make simple ingredients stand out and gives some great lessons in technique along the way.
So there you have a particular shelf in my “library,” part cooking, part travel and part biography. If I checked out your bookshelves (real or virtual), what would I find?
Thanks for stopping by. I hope you’re safe. I hope you’re healthy.
My daughter-in-law recently told me about a PTA presentation that covered, among other things, the quest for “perfection” among children. This is especially daunting for children who are gifted and/or talented. They hear “Perfect!” or “That would be perfect if…” Cue the stress. I’ve been thinking about the quest for perfection. We do this to our kids, ourselves and the adults around us. A lot.
Where does good perfection end and bad perfection start?
There are times when perfection matters: Don’t misspell words on your resume. Then there are times when it’s overrated.
I think the triggers or influences that drive perfectionism can be subtle or not, and they’re probably pretty personal. My dad (who otherwise was pretty perfect) used to say, “If you’re going to do something, do it right or don’t do it at all.” But I wonder how any times that quest for perfection kept me from attempting something or attempting it again after a less than perfect effort. (Maybe I would have stuck with golf a little longer.)
My grandma was a legendary pie maker. Her lemon meringue was the right mix of sweet and tart, with perfectly browned peaks that never “wept.” Her apple pie was as American as, well, you know. And when she delivered one of them to the church bake sale, they were top sellers.
Grandma baked pies at lightning speed, her rolling pin banging on the table as she rolled out the crust. (Really, when I got older I realized we all backed away when she got the rolling pin out.) Although my earliest cooking memories are of making pies with her, using my own child-sized pie pans and left over bits of dough that I rolled and re-rolled and played with until it was genuinely grimey, I had no interest in learning how to actually make the crust and the fillings until I had my own family and became the holiday cook. By then, Grandma was gone and I was left to learn on my own. Mostly, I just made a mess of flour in the kitchen that resulted in patched-together crusts that led to store-bought pies. Problem solved.
But my pie-making ineptitude nagged at me. I wanted pie perfection.
And so, I hit the books. Ina Garden is usually my go-to, so I began practicing her crust. She uses the food processor, really cold butter and shortening. And I practiced pie dough. I told myself it was only flour, butter and shortening. And I think I’m beginning to get it. It’s not perfect, but it’s not patched together, it browns nicely and it tastes good.
I am reminded of a conversation I had with Marjorie Taylor of The Cook’s Atelier when I attended my second cooking session. We were discussing what I had tried cooking at home and I noted that my souffles rose and browned unevenly.
How did they taste?
Well, she said, who cares if they look a little wonky.
What wonderful advice. Maybe “a little wonky” is something we should all accept from time to time.
If you follow me on Instagram. you already know how excited I was when my copy of The Cook’s Atelier Cookbook arrived. The Cook’s Atelier is the cooking school I attended last spring in Beaune, France. I wrote about the one-day workshop, here, meeting Marjorie, her daughter Kendall and the rest of the class to shop the local market for ingredients, returning to their 15th Century atelier, and preparing and sharing a remarkable French lunch.
Like that day, this cookbook is much more than recipes. It’s a thoughtful treatise on French culture, particularly in the Burgundy wine country. Ex-pat authors and cooks Marjorie Taylor and Kendall Smith Franchini share their love and appreciation of all things French and the challenges of defining a business based on their passions for cooking and wine and then launching that business in their newly adopted country.
First, this is a lovely book, beautifully printed on heavy paper. (So French, I’m sure.) The photos are stunning, and document every aspect of their life, from the delicious food, to the countryside, the Beaune market, the local vendors they have come to appreciate and depend on, the elegant simplicity of their shop, kitchen and dining room, and, of course, the family at the center of it all. (If you have been to their shop, then you know the integral role played by Kendall’s husband Laurent and how sweetly their two young children occasionally appear in the shop or kitchen).
Lots of cooks, restaurants and foodies publish cookbooks. There seem to be at least one or two new ones each week. But few spend time on technique and ingredients (well, maybe the likes of Alice Waters and Julia Child). The Cook’s Atelier Cookbook stands far above these latest publications. Charming sections tackle the French larder, cooking tools, burgundy wine, the French cheese course, and traditional cooking techniques like frenching and tying a rib roast and trussing poultry. Recipes are grouped by season and compiled into menus, something I especially appreciate since I am notoriously uncertain about what really goes with what. In short, this is a cookbook you can truly learn from in addition to finding great recipes.
So, you may ask, what have I made? I’ve been making the French butter cake since I took the class. It’s simple and delicious, two prerequisites for French cooking. I’ve also prepared the grilled veal we made in class (and practiced the sauce technique with a few other cuts of meat). Now I’m working on the green garlic souffle. (Mine tasted delicious, but the presentation needs work. See below!)
I have added pastry tips and disposable bags to my kitchen equipment and tested them last week on gougers and madeleines. Next up? Coq au Vin. Marjorie and Kendall use white burgundy instead of red, and I can’t wait to try that.
What have I learned? Quite a lot. Fresh — which means seasonal — ingredients make a difference. Ask the butcher for help. Make sure you understand the recipe before starting. Gather all tools, prepare pans, and measure ingredients before cooking. Have fun. The story in my kitchen and yours is the same as the story in theirs — it’s about the family and friends around the table.
I couldn’t resist showing you a few more pages from the book. The photos are really beautiful. The first is their teaching kitchen and a corner of their shop where they sell their own lovely line of copper pots, along with kitchen tools and a carefully curated selection of wine. Below that is another shot of the book.
As I was writing this post I went back to the original from last June after my class there. In it I said I was smitten. Yikes! I am all over again. To learn more about The Cook’s Atelier, you can visit the website at www.thecooksatelier.com. The cookbook is available wherever books are sold, including Amazon.
Thank you so much for stopping by. I’ll see you again next time.
I could not wait to plunge into our recent travels in France to tell you about Castle Sercy, here, and my day at The Cook’s Atelier, here. But then I thought I should backtrack and give you a look at our trip overall. It was more than castles and cooking.
A few years ago we took a river cruise in France that traveled north from Arles in Provence to Salon sur Saone in Burgundy. We had a wonderful time, we just didn’t have enough time in many of the places we stopped. There were other sights like the Pont du Gard, and towns, like Aix en Provence, along the way, that we never got a chance to see.
We knew we would go back — soon. Then my son introduced me to Ina Caro’s book, Paris to the Past, in which Caro and her husband retraced French history by daytripping via train from Paris to various cathedrals and castles. They did this in chronological order starting with the oldest sight. Since we had already visited Notre Dame, Saint Chapelle and Chartres, I wanted to visit a few more sights on the list.
Burgundy is home to countless small wineries that we could only sample by visiting ourselves, and Steve was eager to do that. I had discovered The Cook’s Atelier in Beaune (a town we loved on our first visit) and was determined to attend one of their daylong cooking classes. If we started in Reims, we could visit the cathedral where centuries of French kings were crowned.
After a few days in Burgundy, we planned to drive south to Provence, exploring more hilltop towns, visiting markets, and, yes, getting lost on more back roads, before dropping the car off in Avignon and taking the train to Paris.
Our travel misadventure adventure begins
We flew into Paris and, on a chilly, drizzly morning with virtually no sleep on the overnight flight, proceeded to drive to Reims in our rented Renault Clio. We paid extra for a GPS system, but never really figured out how to use it, which explains how we ended up heading towards Paris instead of Reims. Fortunately, even my seriously limited French revealed we were going in the wrong direction. Pull over, pull up Google maps, and recalibrate. (This is a little jingle we would oft repeat!)
Here’s what we learned about driving in France: In addition to being in French, the road signs did not indicate direction. Alas, we midwesterners are used to I80 West, I65 North and so on. Not so in France. Keep your eye on the Google map. And here’s what we learned about roundabouts: keep going around until you are sure of the exit you want to take. If you make the wrong assumption and take the wrong roundabout turn off, you can go many kilometers before getting a chance to turn around on these narrow country roads. Tollroads are nice, but not typically very close to the towns you really want to see. (And the country roads are indescribably scenic and fun to travel!)
After our stop in Reims and catching up on our sleep at a hotel in Troyes, we visited the Abbey of Fontenay on our way to Beaune. Founded in 1118 by Saint Bernard as a Cistercian abbey, Fontenay is one of the oldest in Europe. Cistercians vow to live a simple life in poverty. Their monasteries were self-sufficient. By 1200 the monastery was complete and able to serve as many as 300 monks. Despite its initial success, the abbey was attacked and pillaged in the Hundred Years’ War and the Wars of Religion. The monks left during the revolution and the property was turned into a paper mill by the Montgolfier family (of balloon fame). Today it is privately owned. It became a UNESCO World Heritage Site in 1981.
True to the abbey’s orders, the buildings are remarkably simple, sometimes even stark, but they feature beautifully vaulted ceilings and generous doses of graceful symmetry.
On to Beaune, the wine capital of Burgundy in eastern France. It is also home to the Hotel Dieu, a 15th-century former hospital that is now a Museum. We had toured the Hotel Dieu on our first visit (an intriguing sight), but we were anxious to explore the town, sample the legendary wines, and I would spend a day cooking.
As we explored Beaune on foot on the day before my cooking class, we stopped by The Cook’s Atelier to introduce ourselves. My husband asked about nearby wineries and Marjorie’s son-in-law graciously arranged for us to visit Chateau Pommard, one of the oldest in Burgundy and just a handful of miles away. (And, yet we got ridiculously lost in this tiny town, so much so that we had to call the Chateau and say “this is where we think we are, how do we find you?”)
Although the estate changed hands a few more times and is now owned by an American, it has remained complete and has benefited from significant improvements to the estate management and the winemaking. Pommard wines are known worldwide for their quality, and the tour and tasting was simply wonderful.
By now we were becoming more comfortable with driving in France. We still got lost (often!), but we took it in stride and felt free to stop, take pictures and make impromptu changes to our so-called itinerary. This is what we were hoping for!
Now we know why everyone loves Provence…
Before we knew it the road from Burgundy led to Provence where we finally saw the Pont du Gard, visited Aix, and fell in love with French markets. Provence is absolutely charming and prettier in person that any picture. Really. We just let it unfold in front of us as we traveled.
One of the charms of driving on our own was the freedom to stop and explore, as we did here at Seguret, stopping for a leisurely lunch in an outdoor cafe overlooking the French countryside.
Our plan was to stay in L’Isle sur la Sorgue for a few days (so we could attend their big Sunday market which includes antiques) and then move on to St. Remy. Both towns provided a great base from which to visit other hill towns. (And we did a lot.)
L’Isle sur la Sorgue is larger and has a working class vibe. The town owes its early prosperity to the Sorgue River, which served it well defensively centuries ago, and for the industry and trade the river offered. A number of working waterwheels remain in the heart of town
Today it’s home to many antique stores, typically only open on the weekend for the market (though I’m sure they do considerable private business the rest of the time). In the few days we were there, the people and pace seemed to pick up in anticipation of the Sunday market. We stayed a few miles from town and the hotel advised us to arrive in town on Sunday well before the market opened to assure parking. We did, though parking proved not to be a problem (or maybe we were just really early). So, we grabbed cafes and croissants from a boulangerie and enjoyed the activity as the vendors set up their wares.
I was especially eager to see what the antique dealers would offer and was not at all disappointed. There were linens, dishes, knickknacks, books, paintings and prints, and furniture, some of it just barely vintage but much of it centuries old. Centuries! I think the prices were fair and dealers were willing to bargain, I just had no idea how to get a lot of it home in a suitcase!
As much fun as the markets and specific sites were, driving almost daily through the French country side was just as much fun.
When we moved on to St. Remy I was reminded of the visit we paid a few years ago to the nearby Asylum of Saint Paul Mausole where Vincent Van Gogh went to recover his health; he improved here, and enjoyed an especially productive period, completing almost 150 paintings and a number of drawings from May 1889 until May 1890. (You may can read my post on that here.) One of the disappointments in the last visit was not spending time in St. Remy. This time we stayed in a charming, old hotel on the square. (In France, old means no elevator. We counted 69 steps to our room!)
We loved the weekly market in St. Remy. Like the others it was a colorful mix of fruit, vegetables, sausage, cheese, spices, baskets, t-shirts, linen towels, handmade soap, and local artists. And I’ve probably left out a few categories. Despite the obvious merchandise aimed at tourists, it’s important to remember that most French residents shop these markets weekly for food and to catch up with neighbors. It’s very much a part of the culture.
One of the side-trips we took from St. Remy was to Aix en Provence, a scenic drive on a warm day. I expected Aix to be pretty (and it was) and knew it played a role in the art community (you’ll see that), but we were totally unprepared for how big and bustling it was, especially on its market day (unplanned on our part). The traffic was like rush-hour gridlock. We worked our way towards Paul Cezanne’s studio, found parking in a nearby hospital lot, and walked the rest of the way.
The studio was so worth it. Cezanne had many studios over the course of his career, but this was his last and he had it built to his own specifications, a small, two-story structure on a hill in what was then the outskirts of town. The painting studio, above, was on the second floor, and though he worked every day, he often left the studio and worked outdoors. In October 1906 Cezanne was working outside the studio when the weather turned stormy. He worked for awhile anyway, then decided to go home. Unfortunately, the artist collapsed along the way. A passing driver took him home. He died of pneumonia a few days later. After his death, the Cezanne family simply locked up his studio. After a time the building was sold to a writer, who only used the first floor, leaving all of Cezanne’s art materials undisturbed upstairs. Eventually, Aix grew, and the structure was scheduled for demolition and redevelopment. A group of Americans banded together and saved Cezanne’s studio, donating it as a museum to a local university. The easels, paints, palettes, props, coffee cups – everything in the studio – are as Cezanne left them. Amazing!
After our stay in St. Remy, we dropped our car off in Avignon and took the train to Paris for our last few nights in France. I’ll post about that later. We have been to Paris a number of times, so this was more relaxed than earlier visits, seeing a few sights, shopping a little and enjoying French cafes.
Thanks for stopping by and reading and — hopefully enjoying — this loooong post. See you next time!
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Blog reading can lead in all sorts of directions. For me, it includes the discovery of The Cook’s Atelier in Beaune, France. The Atelier is a cooking school/wine shop/kitchen boutique created by American expats Marjorie Taylor and her daughter Kendall Smith Franchini to share their love of French food and wine.
I discovered them and the Atelier in a blog more than a few years ago and thought, “Wow! I’d love to do this.” Last winter as we began planning our trip to France, I realized I really could! Beaune was already on our itinerary and we made sure we would be there on a “class day.” This is the story of the “Day in Burgundy” I spent shopping, cooking and dining with nine like-minded travelers and the charming and remarkable Marjorie and her daughter Kendall.
A day at the The Cook’s Atelier is first and foremost an extended class in French cooking with an emphasis on the Burgundian region and its traditions. However, it’s also a short course in the fine art of the French kitchen, in the selection and preparation of fresh, farm-to-table ingredients from the best local resources, in pairing food with the best local wines and then in serving it in a beautiful, casual-yet-elegant french tradition. It is, quite simply, what Marjorie and Kendall love best about France and how they share it.
If I sound smitten, it’s because I am.
We began at a local cheese shop. A total of ten participants, some in two’s and three’s, others like me on their own, gathered a little self-consciously in front of an enticing cheese shop on a square in Beaune. A few of us began introducing ourselves as class participants, but before we could really figure out who was who, Marjorie showed up, introducing herself and her daughter Kendall, connecting many of us to bits of information she had gleaned from our emails, and promising a full day of shopping, cooking and savoring the results. Whatever shyness we may have felt quickly dissolved under the influence of Marjorie’s warmth.
After a tour of the shop and talk of pairing soft and hard, strong and mild cheeses, as well as purchasing some of what we would need for the recipes ahead, we moved on to the Beaune market. Since my husband and I had made a brief tour of the market on our way to find our morning coffee and croissant, it was especially interesting to meet their favorite vendors. Marjorie and Kendall had shopped the market earlier to make sure they bought the best of the fruits and vegetables available. This is key to their cooking philosophy, the best and freshest ingredients, simply prepared.
From the market we moved on to the butcher where we discussed and tasted a variety of pates and acquired some veal rib roasts for our lunch. Then it was off to the Atelier where we trooped up to the second floor kitchen. (Deep breath!) It’s amazing!
This is a teaching kitchen, but I could easily live with it. In the U.S. we have such a different kitchen aesthetic, requiring space for a variety of tools, gadgets, appliances, and knickknacks. The Atelier kitchen is spare and simple, and what I think of as quintessentially French. It stars a beautiful LaCanche stove and Marjorie’s stunning collection of copper cookware, which, she tells us, are (along with her cookbooks) the only things she brought with her when she moved from Arizona to France. Next to the stove, a long, counter-height cabinet provides serious storage. Above it a knife rack holds enough cutlery for the class a few times over. In the center of the room, a narrow, marble-topped worktable was neatly set with chopping blocks, aprons and towels. And light. There’s so much light. The Atelier is housed in a 17th century building, and the second-floor kitchen features a floor-to-ceiling window at one end that looks out to the original, winding wood stair to the third floor, the wine shop and kitchen boutique at ground level below, and a skylight above.
Who wouldn’t be happy cooking here?
So, we donned our aprons, and took our places while Marjorie chatted to us about the menu (grougeres, green garlic souffle, vegetables including fava beans, fennel, wild asparagus, carrots and potatoes, roast veal, madeleines, and simple butter cake). We cleaned and trimmed vegetables, prepared cake batter, and prepped the madeline batter and pans for later use. We learned about knives, storing fresh herbs and whole vanilla beans (but not together!), and how to crack and separate eggs (it took two dozen eggs to get the 12 egg whites we needed for our souffles, but that was part of the fun). We grated cheese, whipped egg whites, and learned to “french” the bones on the veal roasts. We discussed copper cookware and the basics of roasting any meat.
And all the while Marjorie shared the story of her restaurant in Arizona, her daughter’s love of France and move there, Marjorie’s decision to follow and the serendipitous development of the business with their love of cooking, wine, and all things French. Kendall’s husband Laurent, has joined the business, running the store and negotiating the intricacies of owning a business in France. Together these three have created a successful family business focused on work that they love and accommodating the needs of Kendall and Laurent’s two small children who dart in and out of the business as they would their own house.
At the same time all ten students developed our own brand of kitchen comaraderie, asking questions, sharing tasks, basking in Marjorie and Kendall’s hospitality. I have wondered since then, did we all get on so well and enjoy our time together because we shared a love for cooking? Perhaps. But I also think the hospitality, the shared tasks and, later, the shared meal ultimately had total strangers trading emails and hugging goodbye.
The seven course lunch.
After our cooking chores, Marjorie and Kendall gathered our aprons and shooed us upstairs to another sunlit room with another table for ten, this time set for dining. It was simple, set with white dishes and heavy, white monogrammed napkins simply folded. No overblown centerpieces or themed place settings. Despite the afternoon light, votives and candles glowed on adjacent surfaces.
We began with glasses of champagne and the grougeres we had prepared earlier, then some of the charcouterie from the market. Next, fava bean and shaved fennel salad and then the individual souffles in copper pots appeared. (Note so self: Serve something in individual pots. It’s magical!) We oohed and aahed over the presentation, then over the souffles themselves. Kendall served more wine (She chose something for each course, and I am so sorry I did not take a photo of each bottle. I would love to refer back to them!)
I can’t go thru all the courses (I’ve probably already bored you), but clearly thoughtful presentation is the perfect complement to fresh, seasonal ingredients and careful preparation. We took the time to savor each course, the conversation (and wine) continued to flow, and the rest of the afternoon slipped away.
I loved every bit of the day, and I have continued to savor it, mentally as well as puttering in my own kitchen at home. I’ve tried a few of the recipes and look forward to doing more.
When we travel, it’s so easy to define what we want to see (the Eiffel Tower or Duomo) or experience (hiking in the Grand Canyon or walking China’s Great Wall). I think my day at The Cook’s Atelier was more; it was slipping into a heady slice of French culture, and now seeing what I have brought back home.
I encourage you to visit the new website for The Cook’s Atelier. The photos are gorgeous, you can learn more about them and their classes, and they have a shop!
For now, I’m so glad you joined me. See you next time!