This week has been a lesson in the highs and lows of the human heart. On Sunday morning in Chicago we awoke to mid-April snow. Not flurries, not a dusting, but inches of wet, sloppy, slushy white stuff. In November we would have found it fun. But in April, on Palm Sunday, I didn’t get the joke at all.
In fact, I wanted to pull the covers over my head.
Instead we drank coffee, read the papers, and my husband turned on the Masters Golf Tournament. We got caught up in the drama of the last hole and Tiger Woods’ amazing finish. If you saw this, you know what I mean: sheer joy in every fiber of his being. The crowds and his competitors were equally jubilant. This was a moment Woods was afraid would never come. But it did. A testament to the simplest work ethic: never, ever, ever give up.
What an emotional high. If you watched him hug his children and his mother without feeling tears come to your eyes, you might be missing a heart.
I was in the car on Monday when I heard that Notre Dame de Paris was on fire. How is this impossible? Architectural icons don’t burn; they weather revolutions, plagues, World Wars and Nazi occupations. But this was real. When I got home my husband had the news on, and he said, “This is awful. It’s like Katrina. You can’t stop watching.”
He was so right. We watched it off and on throughout the afternoon, waiting for the firemen to somehow get on top of the blaze, to get it under control, but instead the fire kept growing, and we watched the spire fall. The news commentators talked about the added tragedy of this happening during Holy Week. And we looked at each other and recalled a family story.
Our Notre Dame story
Seventeen years ago Steve and I made our first trip to Paris together. It was a little earlier in the spring and we got back in time to celebrate Easter with my mom, her brother & his wife. (Our kids were away at school.) This was well before smart phones and selfies and so we took along a stack of printed photos (remember them?) from the trip to share over dinner. And as the five of us poured over the iconic sights from Paris — the Louvre, the Eiffel Tower, the Arc de Triumph — my uncle studied one of Notre Dame and remarked that he had been there for Easter in 1945.
What? How could he not have told any of us this story?
Bill was a Chicago kid in the Navy who spent WWII on a small boat escorting much larger ships back and forth across the Atlantic. He spent a lot of time in England and then in Le Harve, France. It was hazardous duty, and like so many WWII vets, he had never shared much about it. But back to Notre Dame…
When we found our voices, we asked what he was doing there. Well, he said, he and several shipmates had leave for Easter and they ended up in Paris. On Easter morning they headed for church. They didn’t know about Notre Dame or go looking for it, it was just the church they found (as if you could miss it, right?) The locals welcomed these young sailors warmly as “Yanks” and led them to seats right up front. I suppose they represented the liberators.
I can only imagine Bill’s blue eyes and his Evangelical and Reformed heart taking in the majesty of Notre Dame: its cavernous space, monumental pillars, stained glass, row after row after row of seats. How can you even take it all in?
Since hearing Bill’s story, I have been to Paris on a handful of additional visits. Notre Dame is simply part of the city, part of the skyline, we’ve walked by it a hundred times (often noting the crowds waiting to get in and said we’ve been here before and we’ll come back at a quieter time), we had breakfast with friends in a cafe just behind it, we’ve admired it up close and from across the river. We’ve picked it out of the skyline from the Musee d’Orsay and Sacre Coeur.
Notre Dame is Paris.
And clearly it will be repaired and rebuilt and continue to play its Parisian role. In the meantime, it hurts the heart to think of its blackened walls and collapsed roof. At the same time we’re heartened by its resilience. Icons can be fragile, it seems, and that should give us pause.
What about you? Do you have a Notre Dame story? I’d love to hear it!
In thinking about this blog post, it occurred to me that though I never thought of myself as a “French Riviera kind of girl,” after our visit there last fall, I’d go back in a heartbeat.
The French Riviera is incredibly beautiful. Blue skies, even bluer Mediterranean water, sunsets that defy any camera to adequately capture them. Turn away from the water and there are hilltops covered in the tiled roofs of villas and, beyond that, mountains.
We included the Riviera on our “great French road trip” because getting that close and skipping it would be foolish, and we wanted make at least some some stops on the “art trail” in the South of France. (You may recall we had been making our way along the western coast of France, beginning in Rouen, then Normandy and Mont St. Michel, before heading to the chateaus in the Loire and then wine tasting in Bordeaux.)
After a beautiful cruise thru the French countryside, with the occasional walled chateau or abbey along the road, we found ourselves navigating in bumper-to-bumper traffic on ridiculously narrow streets, lined with parked cars on each side and street vendors selling everything from sunglasses to take-out dinners. Bikes and pedestrians criss-crossed our paths. What had we done?
But wait, it gets better.
As we motored our way thru the congestion (it was Friday afternoon, the last Friday on the last weekend of the season as it turned out), we were trying to follow Google’s directions to our hotel in Juan les Pins, across the street from Antibes. Google meant well, but when she said turn left, she meant at the intersection we passed 20 yards ago. After a series of ridiculously convoluted detours, we finally pulled into a “parking space” on a sidewalk among a number of other cars and walked to the hotel. Then, having a somewhat better grasp of where to go, Steve moved the car to the underground garage where we happily left it until Sunday morning! (This park nd walk maneuver is one of our best tips. Sometimes finding someplace on foot is easier.)
Our room was large and lovely with a tiny balcony from which we could see the Mediterranean. We would be here for four nights. I don’t think we’d fully appreciated how much we had been “on the road” until now, stopping only for one or two nights along the way. And what a place to take a break. We walked down to the beach, found an empty cafe table, a glass of wine and just enjoyed the sunset. The next morning, after a leisurely hotel breakfast, we walked — yes, walked — about eight blocks, a little uphill and then down, and we were in Antibes!
The French Riviera is a string of cities like Nice and Cannes, and smaller cities and even villages along this lovely coast. We chose Juan les Pins/Antibes as a base because it was smaller than Nice and not as “high end” as Cannes. We could stay close to the water for a reasonable price. All of these cities are connected by a train line than runs frequently throughout the day, like a commuter rail. In fact on Monday, we walked to the station and took a short train ride to Nice.
This is Picasso country
Antibes was a fairly busy place on a Saturday morning, but we easily found our way to the Old Town with the usual tangle of charming, narrow streets and interesting shops. Our destination was the Picasso Museum. (Actually, there are Picasso Museums all over France it seems. I have also been to one in Paris.)
This was on a Saturday morning and we had been taking our time, ooh-ing and aaah-ing over the Antibes waterfront and wandering thru the old town. We arrived at the ticket office just before noon. We walked up to the ticket wndow along with some other visitors only to have the ticket-seller (who on this day was apparently also the ticket-taker) announce to all those around, that it was his lunch time and he would be closing until 1:30.
This is so quintessentially french, you just have to go with it.
So, we wandered back to a food market complete with a cafe, ordered a light lunch, and did some people watching. I checked out a brocante market and we got sidetracked by two wedding parties celebrating along the way. Back to the museum.
This particular museum is housed in the Chateau Grimaldi, a 14th Century Roman Fort turned museum in which Picasso enjoyed a work space in 1946. His time in this space was short, from September until mid-November, but his artistic output was remarkable. He produced 23 paintings and 44 drawings during this short time. Interestingly, he donated all this work to the museum, which eventually acquired much more, including sculpture and ceramics.
About Picasso. Although I am not a huge Picasso fan, I have come to genuinely appreciate his work and its evolution, as well as his influence on generations of artists. The range of his work extends from painting, drawing and sculpture to include set design and ceramics. I wish I pictures of his ceramics, they were stunning. (This is what happens to me. I get so busy looking that I forget to take photos!)
The next day we dared to take the car from the garage to the outskirts of Nice to visit the Musee Matisse.
After a predictably adventurous drive, we arrived at the museum, where interestingly (ironically?) there was a substantial exhibit recalling the friendship and rivalry between Matisse and Picasso. (Did I say this is Picasso country?) Matisse and Picasso met sometime in 1906 at Gertrude Stein’s Paris salon. (Americans Gertrude Stein, her brothers Leo and Michael and Michael’s wife Sarah were important collectors and supporters of Matisse.) Picasso, who was 11 years younger, and Matisse were artistic contemporaries. One of the most interesting displays in the exhibit was a pair of black and white films of each of them at work on similar pieces.
Matisse was 48 and a successful artist when he first came to Nice in 1917. Initially he wrote that it rained every day for a month. He was about to leave when the sun came out and he was hooked by the light. He never really left.
After Matisse we headed further inland to St. Paul de Vence, hoping to at least have a drink at La Colombe d’Or, the restaurant where so many artists paid their tabs by offering a painting or drawing in lieu of money. Did I mention this was a Sunday? On the last weekend in September? Everyone in France goes out to lunch on Sundays, especially beautiful September Sundays. The views on the drive were breathtaking, the town was packed, and the restaurant was unapproachable even for a drink without a reservation.
We knew better, but in our “carefree vacation” mode we just assumed they would throw open the doors for Janet and Steve. Happily, we found a table in an outdoor cafe and enjoyed a delicious lunch and some serious people watching. But we found the town too crowded to enjoy. C’est la vie.
On our last full day on the Riviera, we took the train from Juan les Pins to Nice to explore the old town. It took less than 30 minutes and, once in Nice, there is a handy tram a block from the train station that runs down to the water, making several stops along the way. This was a day to walk and enjoy. Nice is very old and so close to Italy, that the influence is striking. Look at these pastel hued buildings, so different from the neutral stone in the rest of France.
This streetscape of fountains and park amid more substantial buildings is in the heart of the town near the water. Note the clouds: a change in the weather was on the way. Although the sun shone all day, it was much cooler by the time we went to dinner.
This is the Promenade des Anglais. We walked here for several yards before I realized this is the idyllic spot where terrorists drove a huge truck into the crowds celebrating Bastille Day on July 14, 2016. Today the promenade is lined with bollards, but the horror of that night is hard to imagine in the midst of sun and sea.
As luck would have it, we were in Nice on the day of their regular antique market, which in this case was blocks-long, winding from one square to another. I was in heaven, Steve not so much. One of the most striking aspects of these markets is the age and provenance of the goods. There are chandeliers and gilt mirrors, confit pots, textiles and more that I have just never seen in a market in the midwest.
Despite our “longer stay” on the Riviera, we left the next day, promising ourselves to come back. In fact I would call this our “preview visit” to the Riviera. There is so much more to see on the art trail, we never got to Monaco or St. Jean Cap Ferrat or Cannes.
This is the mantra of our travels. And it is, I suppose, why we are totally unapologetic about returning to places that we love. There’s always more to see. What about you? Are you willing to make a return trip to a destination you really liked? Or do you feel each place you visit — in this country or around the globe — needs to be new? I’d love to hear your thoughts on this.
Thank you so much for stopping by. See you next time!
Did you hear the one about the independent travelers in France who made an unfortunate hotel choice, changed their itinerary, and discovered Bordeaux gold?
Before leaving for France this fall, my husband read somewhere that Paddy O’Flynn’s in Saint-Émilion is a must-see stop in Bordeaux for wine tasting and a cave tour, but with all the planning for our “great French road tip”, he forgot about it long before we left home. Then the fates intervened.
Wine tasting was always a part of our itinerary, so Steve made reservations for us to stay at a country chateau about 20 minutes from Saint-Émilion, and reserved tastings at two recommended wineries that were less than a stone’s throw from some Grand Cru Classé producers. We left our lovely hillside chateau in the Loire, stopped to learn about Cognac, and late in the day arrived at the country chateau. It was a spectacular flop, a one star disappointment rather than the three star country estate we had been expecting. So we kissed our euros goodbye (it was too late to cancel that reservation) and drove on.
(This was a first for us as independent travelers, and in retrospect, it had to happen sooner or later. Not every website review/picture/description lives up to its hype.)
Now, however, it was Friday night, getting dark, and we had no place to stay. Trustworthy hotels in Libourne and Saint-Émilion were full. It took a couple of hours, but we ended up with a room at a clean, comfortable, chain-style hotel about 40 km away in Bordeaux. We had some dinner and started over on Saturday morning. And we tweaked our itinerary over breakfast.
As a bit of background, Saint-Émilion is a UNESCO World Heritage Site, with Romanesque churches and ruins along its steep and narrow streets. Vineyards were first planted there by the Romans in the second century. Eventually, monks who settled in the 8th century launched commercial wine production. Today it is one of the principal red wine areas of Bordeaux, producing primarily merlot and cabernet franc grapes.
Because our hotel was farther afield than planned and we were now traveling a slightly different route, we cancelled our tasting reservations. We would get to town too late for the first one, and would be moving on to Sarlat-en-Canada (where we had new hotel reservations) mid-afternoon and miss the second one. But we would get to do some tasting in Saint-Emillion.
On our initial picture-taking walk through town and purely by accident, Steve saw a small building with some signage in English and walked up to read it. A man on the inside greeted him through the open window and invited Steve in to talk wine. And that was how we met Paddy O’Flynn. If you read about him, Paddy came to Bordeaux from Ireland many years ago to source wines to sell back home. His first store opened in 2000 in Limerick (Now he has several stores in Ireland. They’re on our list when we finally make it to Ireland), and in 2014 opened his store/tasting room in Saint-Émilion.
Paddy is friendly, funny and a wonderful story-teller. He also knows wine. Much more than a salesman with a storefront, Paddy knows the vineyards and producers, does blending for some of them and himself, and reputedly has some of the best wine caves in Saint-Emilion.
Given that Steve was just another guy who walked past the store, Paddy spent significant time with us talking about his love for wine, offering tastings on excellent wines from both Burgundy and Bordeaux. We also met Pilar, his partner/fiance. (Interestingly, they were leaving in a few weeks to get married in Pilar’s hometown in Spain. Timing is everything. If our trip had been a few weeks later, we would have missed a great wine experience.)
The wines were, as a reviewer put it, extraordinary at ordinary prices. After a couple of hours of visiting and tasting (and buying) we decided we’d taken up more than enough of Paddy and Pilar’s time. We went off to find lunch. (Where we ran into a delightful couple from Wales who also have a home in France.)
We still haven’t toured any of the caves in Saint-Émilion. Guess we’ll just have to go back again.
My husband, Steve, wrote this post. He discovered we’d be close to the town of Cognac and the opportunity for cognac tasting. It was a delightful detour, spent with a charming couple and offering insight into French culture. I hope you enjoy it!
Every once in a while, you get to do try unexpected and it’s totally fun. Okay, this wasn’t exactly unexpected since we had to plan cognac tasting several weeks in advance, but the decision to do it was not on our original “bucket list” for France.
After planning our itinerary, and rearranging, and re-planning, and re-rearranging some more, I noticed that the drive from the Loire (chateau country) to Saint-Émilion (for wine tasting) passes right by the town of Cognac, home of cognac, the drink. I have never thought much about cognac. I was vaguely aware that it is a type of brandy and we have recipe or two that call for flambé-ing a small amount of brandy. Since I am kind of a pyromaniac and enjoy flambé recipes (or torching creme brûlée, but that’s another story) we always have some brandy on hand. But we really just use it for cooking. That’s about all I knew about it.
We were planning on wine tasting in the Bordeaux region and I started thinking: Cognac is a spirit, Scotch is a spirit. If we were going to Scotland I would no doubt stop at a distillery for a single malt, so why not find out what cognac is all about.
So I did a little more research. I thought we would prefer to visit a smaller producer instead of one of the cognac big boys (Courvisier, Hennessey, Martel and Remy-Martin). We enjoy doing the same in Napa for wine tasting. I found a half dozen small producers who had excellent reviews (both for visits and for product). I settled on Cognac Bertrand mostly for the product reviews.
Bertrand is out in the country about a half hour south of Cognac, surrounded by fields of grapevines. It was one of the few places that Google maps got us to on the first try. We were greeted by Thérèse Bertrand whose family has been running the distillery since at least 1731 (per the earliest records). She turned us over to her American husband, Seph, for the tour and then she took over again for the tasting.
Since we had never really tried cognac as a standalone drink, we had no idea what to expect from the tasting. Janet and I agreed if we didn’t like it at all (and it would probably be bad form not to buy anything), the worst case scenario was that we would buy an inexpensive bottle for cooking.
My worry was for naught. The distillery setting was very picturesque, Thérèse and Seph were friendly and gracious hosts, the tour was interesting and informative, and the Bertrand Cognacs were excellent, no make that spectacular. My only regret was that I couldn’t be sure the suitcase would hold more than one bottle.
A little cognac background: Cognac is only made from a specific list of grape varieties. In order for it to be considered a true cru, the wine must be at least 90% Ugni blanc (known in Italy as Trebbiano), Folle blanche and Colombard. The remaining 10% of the grapes used come from a longer, specific list. Unlike wine grapes, Cognac grapes are harvested by machine, pressed and allowed to ferment for two or three weeks before being distilled to extract the water. Distillation takes place in traditionally shaped Charentais copper alembic stills, the design and dimensions of which are also legally controlled. Two distillations must be carried out; the resulting eau-de-vie is a colourless spirit of about 70% alcohol. It’s important to note that this entire process is shaped by french law, which therefore protects french culture.
After distillation comes aging. By French law VS is aged a minimum of 2 years on Limousin oak (I have no idea what Limousin oak is or what makes it the wood of choice for the barrels, but they were very specific about it) and VSOP for 4 years. Napoleon and XO used to have the same requirement of 6 years but that changed just this year and XO is now aged for at least 10 years. Those are minimum aging periods. Bertrand’s product is aged 5,10, and 20 years for the VS, VSOP, and Napoleon Cognacs, and 30 to 35 years for the XO. Interestingly, Bertrand sells roughly 90-percent of its product to one of the big cognac producers after the initial aging, keeping the remainder for its own label. Thérèse and Seph told us that most vineyards/distillers do the same thing.
We tasted the VS, VSOP, XO, and a Pineau. We had never heard of Pineau before. It is a blend of grape juice and eau de vie (eau de vie is what the they call the result of the distillation, which means water of life). Pineau is served as an aperitif and was too sweet for our tastebuds.The VS, VSOP, and XO are a different story. No two are the same, the aging definitely changes the taste. Each one in the progression was better, richer and more refined than the one before, the XO being my favorite. Thérèse explained their view of the best use for each cognac: VS for cooking, VSOP for cocktails, Napoleon and XO for more serious sipping (like in old movies, by the fire, in a balloon glass).
We thoroughly enjoyed our visit, the distillery, the cognacs, Thérèse and Seph, all of it. I can’t recommend this side trip enough. It’s one of those places you might never consider and drive right past, but it gave us a wonderful look at french life and culture. I guess the road less traveled comes to mind. It happened for us several times on this trip.
If you follow me on Instagram, you know my husband and I are just back from a month in France. (I know, a long trip with the luxury of time, something one doesn’t often do. We are very lucky to have had this opportunity.)
Briefly, we flew into Paris, picked up a car, and headed to Giverney (Monet’s home and garden), the Normandy beaches (D-Day landings), Mont Sainte Michele (more history), Bordeaux (to taste wine), the Loire (for chateaus), Antibes (the Riviera, the Mediterranean and the art trail), Beaune (we love it) and finally Paris (always a good idea). In the weeks to come, I’m sure I’ll bore you with too many tales tales and too many pictures, but for now I want to share two “travel shorts” to give you a taste of our trip.
If I had a bucket list, the D-Day beaches would be on it. This is a piece of the American experience that I wish everyone could share. We took a highly-recommended D-Day tour, which I’ll write more about later, but now I want to share just one stop. Angoville-au-Plain is one of the tiny towns beyond Utah beach where paratroopers landed during the night before the invasion. The military assignment was to control the nearby Cherbourg to Paris route important to German defenses. The terrible weather the night of the drop, however, meant hundreds of soldiers were dropped off course, totally missing their targets.
Two of these paratroopers were young medics, 19 and 20 years old. Robert E. Wright and Kenneth J. Moore had been given two weeks of medical training. They jumped carrying packs of first aid supplies which they lost when they landed off course in swampy fields the Germans had flooded. Undeterred, they made their way to the 11th Century church at Angoville-au-Plain. Using medical supplies they had recovered along the way, they hung a Red Cross flag on the door and worked for 72 hours straight on 82 patients, Allied and German, and lost only two men. They had only one rule: weapons must be left outside the church.
We heard many amazing stories during that tour, but for whatever reason this one really touched me. I used to think of D-Day as a single, heroic, necessary event, but when you look closer (as so many professional and amateur historians do), it’s also thousands of acts of bravery, heroism, determination and ingenuity.
(Both Wright and Moore continued to serve throughout the war and have returned often to D-Day observances at Angoville-au-Plain, where the immediate community, and the wider D-Day community, has been generous in preserving and restoring the church.)
Behind the scenes at Versailles.
Versailles is the over-the-top palace used by a string of French kings who tired of life in Paris. It’s a 30-minute train ride from Paris, or you can take one of a variety of bus/van/private tours there. I visited 20-odd years before on my first trip to France with my teen-age son. We took a bus tour (which we both hated). It was a cold day, and Versailles was crowded. Frankly, it was nothing I wanted to repeat, so on subsequent trips, Steve and I always talked ourselves out of Versailles. However, we thought early October might be a better time and Steve found a “skip the line” tour of private rooms offered by the chateau for a mere 10 euros each.
This was the best investment we made on the trip!
What we thought would be a 45-minute tour of private rooms in the chateau was actually 2-1/2 hours with a Versailles curator. There were only about 15 of us in the group, making it easy to see the rooms and ask questions. The curator was a charming, knowledgeable historian committed to educating us about the fine points of 17th and 18th century court life. And we learned a lot!
One of the private rooms we visited was the King’s library. It was, of course, grand and gold, but our guide brought it to life by pointing out this commode, made for the palace but sold off with all the other palace furnishings after the revolution (the new government was desperate for money). It was acquired by one of the Rothschilds. But then, during WWII when the Germans began confiscating the best of European art and antiques, it was acquired by Hermann Goring. It has only recently been returned to Versailles (“Thanks be to God,” as the curator said.)
Some of the King’s book collection is behind those glass doors next to the commode. Our guide pointed out that the volumes include Captain Cook’s diaries from his explorations of the new world. (I considered pressing my face closer to the glass to see better, but was afraid I would set off an alarm! On the other hand, Captain Cook!!!)
Can I just say that these are the travel moments I treasure, little vignettes that make history or culture come alive. Along with memories like the starchy French waiter who cracked a bawdy joke, the Brits we shared an al fresco lunch with in Ste. Emilion, and hands-on lessons in French cooking, they are the best souvenirs.
If you follow me on Instagram. you already know how excited I was when my copy of The Cook’s Atelier Cookbook arrived. The Cook’s Atelier is the cooking school I attended last spring in Beaune, France. I wrote about the one-day workshop, here, meeting Marjorie, her daughter Kendall and the rest of the class to shop the local market for ingredients, returning to their 15th Century atelier, and preparing and sharing a remarkable French lunch.
Like that day, this cookbook is much more than recipes. It’s a thoughtful treatise on French culture, particularly in the Burgundy wine country. Ex-pat authors and cooks Marjorie Taylor and Kendall Smith Franchini share their love and appreciation of all things French and the challenges of defining a business based on their passions for cooking and wine and then launching that business in their newly adopted country.
First, this is a lovely book, beautifully printed on heavy paper. (So French, I’m sure.) The photos are stunning, and document every aspect of their life, from the delicious food, to the countryside, the Beaune market, the local vendors they have come to appreciate and depend on, the elegant simplicity of their shop, kitchen and dining room, and, of course, the family at the center of it all. (If you have been to their shop, then you know the integral role played by Kendall’s husband Laurent and how sweetly their two young children occasionally appear in the shop or kitchen).
Lots of cooks, restaurants and foodies publish cookbooks. There seem to be at least one or two new ones each week. But few spend time on technique and ingredients (well, maybe the likes of Alice Waters and Julia Child). The Cook’s Atelier Cookbook stands far above these latest publications. Charming sections tackle the French larder, cooking tools, burgundy wine, the French cheese course, and traditional cooking techniques like frenching and tying a rib roast and trussing poultry. Recipes are grouped by season and compiled into menus, something I especially appreciate since I am notoriously uncertain about what really goes with what. In short, this is a cookbook you can truly learn from in addition to finding great recipes.
So, you may ask, what have I made? I’ve been making the French butter cake since I took the class. It’s simple and delicious, two prerequisites for French cooking. I’ve also prepared the grilled veal we made in class (and practiced the sauce technique with a few other cuts of meat). Now I’m working on the green garlic souffle. (Mine tasted delicious, but the presentation needs work. See below!)
I have added pastry tips and disposable bags to my kitchen equipment and tested them last week on gougers and madeleines. Next up? Coq au Vin. Marjorie and Kendall use white burgundy instead of red, and I can’t wait to try that.
What have I learned? Quite a lot. Fresh — which means seasonal — ingredients make a difference. Ask the butcher for help. Make sure you understand the recipe before starting. Gather all tools, prepare pans, and measure ingredients before cooking. Have fun. The story in my kitchen and yours is the same as the story in theirs — it’s about the family and friends around the table.
I couldn’t resist showing you a few more pages from the book. The photos are really beautiful. The first is their teaching kitchen and a corner of their shop where they sell their own lovely line of copper pots, along with kitchen tools and a carefully curated selection of wine. Below that is another shot of the book.
As I was writing this post I went back to the original from last June after my class there. In it I said I was smitten. Yikes! I am all over again. To learn more about The Cook’s Atelier, you can visit the website at www.thecooksatelier.com. The cookbook is available wherever books are sold, including Amazon.
Thank you so much for stopping by. I’ll see you again next time.
I could not wait to plunge into our recent travels in France to tell you about Castle Sercy, here, and my day at The Cook’s Atelier, here. But then I thought I should backtrack and give you a look at our trip overall. It was more than castles and cooking.
A few years ago we took a river cruise in France that traveled north from Arles in Provence to Salon sur Saone in Burgundy. We had a wonderful time, we just didn’t have enough time in many of the places we stopped. There were other sights like the Pont du Gard, and towns, like Aix en Provence, along the way, that we never got a chance to see.
We knew we would go back — soon. Then my son introduced me to Ina Caro’s book, Paris to the Past, in which Caro and her husband retraced French history by daytripping via train from Paris to various cathedrals and castles. They did this in chronological order starting with the oldest sight. Since we had already visited Notre Dame, Saint Chapelle and Chartres, I wanted to visit a few more sights on the list.
Burgundy is home to countless small wineries that we could only sample by visiting ourselves, and Steve was eager to do that. I had discovered The Cook’s Atelier in Beaune (a town we loved on our first visit) and was determined to attend one of their daylong cooking classes. If we started in Reims, we could visit the cathedral where centuries of French kings were crowned.
After a few days in Burgundy, we planned to drive south to Provence, exploring more hilltop towns, visiting markets, and, yes, getting lost on more back roads, before dropping the car off in Avignon and taking the train to Paris.
Our travel misadventure adventure begins
We flew into Paris and, on a chilly, drizzly morning with virtually no sleep on the overnight flight, proceeded to drive to Reims in our rented Renault Clio. We paid extra for a GPS system, but never really figured out how to use it, which explains how we ended up heading towards Paris instead of Reims. Fortunately, even my seriously limited French revealed we were going in the wrong direction. Pull over, pull up Google maps, and recalibrate. (This is a little jingle we would oft repeat!)
Here’s what we learned about driving in France: In addition to being in French, the road signs did not indicate direction. Alas, we midwesterners are used to I80 West, I65 North and so on. Not so in France. Keep your eye on the Google map. And here’s what we learned about roundabouts: keep going around until you are sure of the exit you want to take. If you make the wrong assumption and take the wrong roundabout turn off, you can go many kilometers before getting a chance to turn around on these narrow country roads. Tollroads are nice, but not typically very close to the towns you really want to see. (And the country roads are indescribably scenic and fun to travel!)
After our stop in Reims and catching up on our sleep at a hotel in Troyes, we visited the Abbey of Fontenay on our way to Beaune. Founded in 1118 by Saint Bernard as a Cistercian abbey, Fontenay is one of the oldest in Europe. Cistercians vow to live a simple life in poverty. Their monasteries were self-sufficient. By 1200 the monastery was complete and able to serve as many as 300 monks. Despite its initial success, the abbey was attacked and pillaged in the Hundred Years’ War and the Wars of Religion. The monks left during the revolution and the property was turned into a paper mill by the Montgolfier family (of balloon fame). Today it is privately owned. It became a UNESCO World Heritage Site in 1981.
True to the abbey’s orders, the buildings are remarkably simple, sometimes even stark, but they feature beautifully vaulted ceilings and generous doses of graceful symmetry.
On to Beaune, the wine capital of Burgundy in eastern France. It is also home to the Hotel Dieu, a 15th-century former hospital that is now a Museum. We had toured the Hotel Dieu on our first visit (an intriguing sight), but we were anxious to explore the town, sample the legendary wines, and I would spend a day cooking.
As we explored Beaune on foot on the day before my cooking class, we stopped by The Cook’s Atelier to introduce ourselves. My husband asked about nearby wineries and Marjorie’s son-in-law graciously arranged for us to visit Chateau Pommard, one of the oldest in Burgundy and just a handful of miles away. (And, yet we got ridiculously lost in this tiny town, so much so that we had to call the Chateau and say “this is where we think we are, how do we find you?”)
Although the estate changed hands a few more times and is now owned by an American, it has remained complete and has benefited from significant improvements to the estate management and the winemaking. Pommard wines are known worldwide for their quality, and the tour and tasting was simply wonderful.
By now we were becoming more comfortable with driving in France. We still got lost (often!), but we took it in stride and felt free to stop, take pictures and make impromptu changes to our so-called itinerary. This is what we were hoping for!
Now we know why everyone loves Provence…
Before we knew it the road from Burgundy led to Provence where we finally saw the Pont du Gard, visited Aix, and fell in love with French markets. Provence is absolutely charming and prettier in person that any picture. Really. We just let it unfold in front of us as we traveled.
One of the charms of driving on our own was the freedom to stop and explore, as we did here at Seguret, stopping for a leisurely lunch in an outdoor cafe overlooking the French countryside.
Our plan was to stay in L’Isle sur la Sorgue for a few days (so we could attend their big Sunday market which includes antiques) and then move on to St. Remy. Both towns provided a great base from which to visit other hill towns. (And we did a lot.)
L’Isle sur la Sorgue is larger and has a working class vibe. The town owes its early prosperity to the Sorgue River, which served it well defensively centuries ago, and for the industry and trade the river offered. A number of working waterwheels remain in the heart of town
Today it’s home to many antique stores, typically only open on the weekend for the market (though I’m sure they do considerable private business the rest of the time). In the few days we were there, the people and pace seemed to pick up in anticipation of the Sunday market. We stayed a few miles from town and the hotel advised us to arrive in town on Sunday well before the market opened to assure parking. We did, though parking proved not to be a problem (or maybe we were just really early). So, we grabbed cafes and croissants from a boulangerie and enjoyed the activity as the vendors set up their wares.
I was especially eager to see what the antique dealers would offer and was not at all disappointed. There were linens, dishes, knickknacks, books, paintings and prints, and furniture, some of it just barely vintage but much of it centuries old. Centuries! I think the prices were fair and dealers were willing to bargain, I just had no idea how to get a lot of it home in a suitcase!
As much fun as the markets and specific sites were, driving almost daily through the French country side was just as much fun.
When we moved on to St. Remy I was reminded of the visit we paid a few years ago to the nearby Asylum of Saint Paul Mausole where Vincent Van Gogh went to recover his health; he improved here, and enjoyed an especially productive period, completing almost 150 paintings and a number of drawings from May 1889 until May 1890. (You may can read my post on that here.) One of the disappointments in the last visit was not spending time in St. Remy. This time we stayed in a charming, old hotel on the square. (In France, old means no elevator. We counted 69 steps to our room!)
We loved the weekly market in St. Remy. Like the others it was a colorful mix of fruit, vegetables, sausage, cheese, spices, baskets, t-shirts, linen towels, handmade soap, and local artists. And I’ve probably left out a few categories. Despite the obvious merchandise aimed at tourists, it’s important to remember that most French residents shop these markets weekly for food and to catch up with neighbors. It’s very much a part of the culture.
One of the side-trips we took from St. Remy was to Aix en Provence, a scenic drive on a warm day. I expected Aix to be pretty (and it was) and knew it played a role in the art community (you’ll see that), but we were totally unprepared for how big and bustling it was, especially on its market day (unplanned on our part). The traffic was like rush-hour gridlock. We worked our way towards Paul Cezanne’s studio, found parking in a nearby hospital lot, and walked the rest of the way.
The studio was so worth it. Cezanne had many studios over the course of his career, but this was his last and he had it built to his own specifications, a small, two-story structure on a hill in what was then the outskirts of town. The painting studio, above, was on the second floor, and though he worked every day, he often left the studio and worked outdoors. In October 1906 Cezanne was working outside the studio when the weather turned stormy. He worked for awhile anyway, then decided to go home. Unfortunately, the artist collapsed along the way. A passing driver took him home. He died of pneumonia a few days later. After his death, the Cezanne family simply locked up his studio. After a time the building was sold to a writer, who only used the first floor, leaving all of Cezanne’s art materials undisturbed upstairs. Eventually, Aix grew, and the structure was scheduled for demolition and redevelopment. A group of Americans banded together and saved Cezanne’s studio, donating it as a museum to a local university. The easels, paints, palettes, props, coffee cups – everything in the studio – are as Cezanne left them. Amazing!
After our stay in St. Remy, we dropped our car off in Avignon and took the train to Paris for our last few nights in France. I’ll post about that later. We have been to Paris a number of times, so this was more relaxed than earlier visits, seeing a few sights, shopping a little and enjoying French cafes.
Thanks for stopping by and reading and — hopefully enjoying — this loooong post. See you next time!
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